View previous topic :: View next topic |
Author |
Message |
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Sat Dec 15, 2012 12:15 am Post subject: Two wrong photos |
|
|
Orio wrote:
Here's two wrong photos of mine, both on T-Max 3200 film.
The first one (Sonnar 1.5/50 ZM) has wrong focus, I thought I set it at 6 meters but it was at closest distance really. So only the very foreground is focused.
Yet, I think that for a lucky circumstance, the photo still works somehow, although not as I expected it to work.
The blurred highlights in the background, look like emanations from the blurred jewelry in the middle ground. Like flying pearls or something.
There is no real human subject, except the arms of a client who is handling and watching some jewel. It is blurred, but clear enough to be understandeable. And nothing more than that
is really needed, because the real subject is the jewels, or, better said, the somehow unwanted dreamy situation generated by the large display of the blurred jewels.
And the gesture of the arm, looks like an evocation, a magical gesture:
#1
The second photo (Snapshot-Skopar 4/25) is a street snapshot of some people on the sidewalk in the centre of the city of Piacenza.
The light was mostly gone (after sunset) and I (stupidly) used the camera in aperture priority mode, so the shutter time happened to be too long to capture the action correctly.
The result, however, has some charme for me. The people moved at different speeds, so they generated different kinds of blur: from ghostly to slightly blurred to partially frozen.
That, and the different gestures, created an image with a lot of variety and different dynamics, with characters that seem to have each their own mind and reason to be in the picture.
The city night lights and shiny wet sidewalk complete the suggestion.
#2
In both cases, I would say that the border line between a keeper and a trash bin conscript is very thin and subtly walked.
What is your opinion? Does a photographer really depend so much on good luck? _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
Attila
Joined: 24 Feb 2007 Posts: 57849 Location: Hungary
Expire: 2025-11-18
|
Posted: Sat Dec 15, 2012 12:58 am Post subject: |
|
|
Attila wrote:
to me first is trash, second is rather keeper (like a paint from most respected painters today) seriously , second is fine to me. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
|
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Sat Dec 15, 2012 1:01 am Post subject: |
|
|
Orio wrote:
Attila wrote: |
second is rather keeper (like a paint from most respected painters today) |
also several respected photographers whose exhibitions are all made of blurred photos. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
skida
Joined: 02 Mar 2012 Posts: 1826 Location: North East England
|
Posted: Sat Dec 15, 2012 1:42 am Post subject: |
|
|
skida wrote:
Attila wrote: |
to me first is trash, second is rather keeper (like a paint from most respected painters today) seriously , second is fine to me. |
+1. I would give that wall space. |
|
Back to top |
|
|
patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
|
Posted: Sat Dec 15, 2012 7:31 am Post subject: |
|
|
patrickh wrote:
In #1 the specular highlights are a bit too distracting, but one can see the attraction. #2 +another
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
|
Back to top |
|
|
Excalibur
Joined: 19 Jul 2009 Posts: 5019 Location: UK
Expire: 2014-04-21
|
Posted: Sat Dec 15, 2012 10:41 am Post subject: |
|
|
Excalibur wrote:
Sorry Orio not for me as I'm not into modern art where mistakes can be confused with the artist's real intentions. _________________ Canon A1, AV1, T70 & T90, EOS 300 and EOS300v, Chinon CE and CP-7M. Contax 139, Fuji STX-2, Konica Autoreflex TC, FS-1, FT-1, Minolta X-700, X-300, XD-11, SRT101b, Nikon EM, FM, F4, F90X, Olympus OM2, Pentax S3, Spotmatic, Pentax ME super, Praktica TL 5B, & BC1, , Ricoh KR10super, Yashica T5D, Bronica Etrs, Mamiya RB67 pro AND drum roll:- a Sony Nex 3
.........past gear Tele Rolleiflex and Rollei SL66.
Many lenses from good to excellent. |
|
Back to top |
|
|
Himself
Joined: 01 Mar 2007 Posts: 3214 Location: Montreal
Expire: 2013-05-30
|
Posted: Sun Dec 16, 2012 11:53 pm Post subject: |
|
|
Himself wrote:
It's all about photographer's intention.
Most of them will say that the way we see them it's exactly what they wanted to do, but since you came up with full confession ( you are forgiven ) I'd say that #2 is the keeper.
It's a likable blur. I wear glasses and because of that I get dizzy the first second I see a blurred picture. It must be a medical reason, probably the eyes are trying to focus each on its own.
In this case nothing happened even if the picture has some dynamicity in it. _________________ Moderator Himself |
|
Back to top |
|
|
Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
|
Posted: Tue Dec 18, 2012 11:51 pm Post subject: |
|
|
Orio wrote:
This one came out a little bit better, black coat man looks mysterious, I might even try to market it as intentional
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
|
Back to top |
|
|
my_photography
Joined: 03 Nov 2008 Posts: 2772 Location: Pearl of the Orient
Expire: 2016-12-25
|
Posted: Fri Dec 21, 2012 6:41 am Post subject: |
|
|
my_photography wrote:
I still prefer #2. _________________
Zeiss: CJZ Flektogon 20/2.8, CJZ Flektogon 20/4, , CJZ Pentacon 29/2.8, CJZ Flektogon 35/2.4, CJZ Pancolar 50/1.8, Tessar 50/2.8, Biotar 7.5cm/1.5, CJZ Pancolar 80/1.8, CJZ Sonnar 135/3.5, CJZ Pentacon 135/2.8 CJZ Sonnar 200/2.8
Other Germany: Meyer Primoplan 50/1.8, Meyer Trioplan 100/2.8
Takumar: SMC 50/1.4 Super Tak 55/2, Super Tak 85/1.9, S-M-C 135/3.5, Super Tak 150/4
Russian: Zenith 16/2.8, Mir-24M 2/35, Volna-9 50/2.8, Helios 44M (58/2), Helios 44M-3 MC (58/2), Helios 40 (85/1.5), Tair 11A (135/2.8 )
Others: Sears 28/2.8, Sankor 35/2.8, Enna M�nchen Tele-Ennalyt 135/3.5
Zoom Sigma Zoom 28-85/3.5-4.5
|
|
Back to top |
|
|
|