erkie
Joined: 08 Oct 2011 Posts: 308 Location: Missouri
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Posted: Mon May 21, 2012 8:52 pm Post subject: |
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erkie wrote:
Either shot would have been Great ! It's still ok though ! That's always been the fun part of film when shooting street scenes ! Waiting to see the results to find out if if everything in the frame is what you thought you caught . Oh how many times has an extra head or hand or rear end poked its way into the side of a frame for me so many shots a half second off and what would have been hilarious becomes just another crowd shot maybe 1 or 2 shots come out well for me when shooting on a street if I'm lucky !!! It doesn't make it any less fun though .
Sometimes the stars just don't align ! _________________
I shoot film and meter with digital
Asahi H3v, Praktica FX3, Retina IIa, Spotmatic sp1000, Fujica V2, Yashica lynx5000, Pentax Sf1, Minolta SRT102, Minolta7000i, Pentax MX, Pentax ME, Pentax Kx
lensesM42- Isco Gottingen Westanar 50/2.8, Isco Gottingen Westron 35/2.8, Rikenon 35/2.8, Spiratone Tc 105/2.5, Spiratone Tc 200/4.5, Sankyo Kohki Komura 300/5, Sankyo Kohki Komura 135/3.5, Auto Tak 35/3.5, Super Tak 150/4, S-M-C Tak 50/1.4, S-M-C Tak 28/3.5, SMC Tak 55/2, Mamya Sekor 55/1.8
K- mount- Helios 44-K-4, Jc penny 28/2.8, Da 18-55, Da 55-300, Pentax F 35-70, SMCP M 50/1.4, SMCP M 50/1.7
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Tue May 22, 2012 3:57 pm Post subject: |
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Orio wrote:
Not exactly what you have in mind with this thread, but somehow related: last Saturday in Bologna I wanted to take this photo (which I finally got) of this old barber shop.
The old shop frame, the situation inside, with one client on the chair and the other waiting, the brick wall, the old bicycle... everything was just perfect:
But before I could take the image, I had to wait for a number of people to get away. First it was a couple of bike tourists, who stopped to chat right in front of the shop window.
Then, it was these young guys, who stopped there to chat and eat ice cream.
I was getting nervous because I was afraid that the scene behind may change (the waiting man could take the place on the chair... the old bicycle could be taken away...)
Luckily this did not happen so I could take the photo in the end, but while I was waiting, I thought 'why not photograph these scene also" with the young guys in front:
So another picture resulted, which plays on the contrast of old vs. new (old shop, old clients, old bike vs. young guys outside), and of tradition vs. new times
(a very bolognese traditional shop scene vs. "new bolognese" young people including an asian girl - something that was almost impossible to see only 30 years ago.
So, while this is not exactly a case of untimely accident, I think it shows that sometimes these unwanted conditions may also take your photo to new directions, not necessarily worse or bad.
It shows one more time that when you are out on the street to photograph, you must be very flexible and willing to adjust and to take the most also from unexpected/unwanted situations. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Tue May 22, 2012 5:52 pm Post subject: |
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patrickh wrote:
Crop to get rid of extraneous stuff on each side and I think it could work
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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