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sinar
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PostPosted: Tue Jul 28, 2009 11:16 am    Post subject: sinar Reply with quote

I borowed my friend sinar with 120 magazine back.
f=8
ilford hp5 400
ilford fibre based papers




PostPosted: Tue Jul 28, 2009 1:00 pm    Post subject: Reply with quote

That's photography as art, very beautiful. The tangible print must be even more spectacular.


PostPosted: Tue Jul 28, 2009 2:51 pm    Post subject: Reply with quote

Excellent work, Emco!


PostPosted: Tue Jul 28, 2009 3:13 pm    Post subject: Reply with quote

lights:
3 classic tungsten 150W dedolights (also borowed Sad )
with different zoom focus.


PostPosted: Tue Jul 28, 2009 5:35 pm    Post subject: Reply with quote

Very nice, very expressive, superb effect.


PostPosted: Tue Jul 28, 2009 6:44 pm    Post subject: Reply with quote

How was it coloured?


PostPosted: Tue Jul 28, 2009 9:05 pm    Post subject: Reply with quote

Orio wrote:
How was it coloured?

better dont't ask.
This is my own devil formula.
Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil
after potassium dichromate bleached away print is bathed in used up ilford
developer with sodium hydroxide (it works diffrent in shadows and diffrent in
highligts). colour is the side effect - but in this case is crucial. Process is
repetitive to achieve expected result. colour you can get: from yellowish to dark brownish
this is not sepia technique - sulphide toners have terrible smell I hate.
i don't touch it.

actually everyone who want to improve his darkroom technique i
recommend Tim Rudman books - he is the best and his techniques are very
spectacular (especially in classic darkroom skills).