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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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 Posted: Sat Mar 29, 2008 9:13 pm Post subject: |
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Laurence wrote:
jesito wrote: It's not the same composition, but the differences between sky saturation and colours are evident. The film one has a more natural feeling.
I agree. Quite a difference, actually. Reala film is a fabulous "warm" film that puts some emphasis on magenta spectrum. All other colors are as natural as "real life" to me.
In fact, if I take an image of heather with Reala, the magenta coloration tends to oversature. But that's no problem really.
Larry
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sat Mar 29, 2008 9:15 pm Post subject: |
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Laurence wrote:
I just took a re-look at your original image of the castellated structure. And sure enough, there is a bit of magenta in the clouds. The whole image is not only a fine composition, but looks very very natural for colors. 
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Jesito
Joined: 24 Aug 2007
Posts: 5745
Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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| Posted: Sat Mar 29, 2008 10:00 pm Post subject: |
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Jesito wrote:
| Richard_D wrote: |
These are great shots. I just got my first roll with the rolleicord done - 7.99 gbp for a machine development, small prints and scan.
How do you enjoy using a TLR? |
Hi Richard!,
This first roll had a twofold purpose: To test the camera (and it has proven to be in excellent shape), and to try that new way of shooting, with the waist level finder and the mirrored image on the focusing screen.
To me the experience has been superb. By looking to a different plane, I get isolated of the environment and I see through the camera only. Much easier to concentrate on composition. And the squared format is much adequate for me than the 35mm one.
In summary, a great and rewarding experience. I've just loaded the second Reala roll, and tomorrow I'll be out with the two 6x6 cameras, the YashicaMat and the Isolette.
How is your experience?.
Jes.
_________________
Jesito, Moderator 
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
Compact Digital Olympus C-5050, Aiptek Slim 3000, Canon Powershot A540, Nikon 5200, SIGMA DP1s, Polaroid X530, IXUS55, Kodak 6490, Powershot G9 and G10
CSCCanon EOS-M, Samsung NX100 and NX210, Lumix G5, NEX-F3
Last edited by Jesito on Sat Mar 29, 2008 10:04 pm; edited 1 time in total |
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Jesito
Joined: 24 Aug 2007
Posts: 5745
Location: Olivella, Catalonia, (Spain)
Expire: 2015-01-07
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| Posted: Sat Mar 29, 2008 10:03 pm Post subject: |
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Jesito wrote:
| Laurence wrote: |
jesito wrote: It's not the same composition, but the differences between sky saturation and colours are evident. The film one has a more natural feeling.
I agree. Quite a difference, actually. Reala film is a fabulous "warm" film that puts some emphasis on magenta spectrum. All other colors are as natural as "real life" to me.
In fact, if I take an image of heather with Reala, the magenta coloration tends to oversature. But that's no problem really.
Larry |
Thanks for the info, Larry. Do you think I would need a filter to correct that magenta deviation?. I got an adapter from BAY1 to 42mm to use those filters. Maybe an UV one could help with this?.
Thanks!,
Jes.
_________________
Jesito, Moderator
Jesito's backsack:
Zooms Sigma 70-300, Tamron 35-135 and 70-210 short, 70-210 long, 28-70 CF Macro, 35-70, 35-80, Vivitar 70-210 KA, Tamron 70-250.
Fixed Industar-50, , Tamron 24mm, Tamron 135mm, Sands Hunter 135mm, Pancolar 50mm, Volna-3, many Exakta lenses
DSLR SIGMA SD9 & SD14, EOS 5D, Sony A700 and NEXF3, Oly E-330, E-400, E-450, E-1
TLR/6x6/645 YashicaMat, Petri 6x45, Nettar, Franka Solida, Brilliant
SLR Minolta X300, Fuji STX II, Praktica VLC3, Pentax P30t, EXA500, EXA 1A, Spotmatic(2), Chinon CM-4S, Ricoh, Contax, Konica TC-X , Minolta 5000, 7000i, 3Sxi, EOS 500 and CX
Rangefinders Chinon 35EE, Konica C35 auto, Canonet 28, Yashica Lynx, FED-2, Yashica electro 35, Argus C3 & C4, Regula Cita III, Voigtlander Vitoret (many), Welta Welti-I, Kodak Signette 35, Zorki-4, Bessa-R & L, Minolta Weathermatic, olympus XA2
Compact Film Konica C35V, Voigtlander Vitorets, Canon Prima Super 105, Olympus XA2 and XA3
Compact Digital Olympus C-5050, Aiptek Slim 3000, Canon Powershot A540, Nikon 5200, SIGMA DP1s, Polaroid X530, IXUS55, Kodak 6490, Powershot G9 and G10
CSCCanon EOS-M, Samsung NX100 and NX210, Lumix G5, NEX-F3 |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Mar 30, 2008 5:07 am Post subject: |
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Laurence wrote:
| Jesito wrote: |
| Laurence wrote: |
jesito wrote: It's not the same composition, but the differences between sky saturation and colours are evident. The film one has a more natural feeling.
I agree. Quite a difference, actually. Reala film is a fabulous "warm" film that puts some emphasis on magenta spectrum. All other colors are as natural as "real life" to me.
In fact, if I take an image of heather with Reala, the magenta coloration tends to oversature. But that's no problem really.
Larry |
Thanks for the info, Larry. Do you think I would need a filter to correct that magenta deviation?. I got an adapter from BAY1 to 42mm to use those filters. Maybe an UV one could help with this?.
Thanks!,
Jes. |
Well, the magenta is not heavy, it is noticeable if you are looking for it. YES, a UV filter will help quite a bit!
Good luck with the "dynamic duo" of the Isolette and Yashica Mat! What a fun way to shoot.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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Orio
Joined: 24 Feb 2007
Posts: 29545
Location: West Emilia
Expire: 2012-12-04
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| Posted: Sun Mar 30, 2008 6:20 am Post subject: |
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Orio wrote:
I love film for many reasons, but colour balance is not one of them. I think that a properly white-balanced images coming from my digital EOSes is largely superior in colour fidelity compared to any film that I have used either now or in the past.
-
_________________
Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Laurence
Joined: 26 Mar 2007
Posts: 4809
Location: Western Washington State
Expire: 2016-06-19
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| Posted: Sun Mar 30, 2008 6:55 am Post subject: |
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Laurence wrote:
| Orio wrote: |
I love film for many reasons, but colour balance is not one of them. I think that a properly white-balanced images coming from my digital EOSes is largely superior in colour fidelity compared to any film that I have used either now or in the past.
- |
Agreed!
We are lucky that the white balance can be adjusted after scanning a film, but the white balancing function straight from the camera settings is most expedient.
_________________
Assent, and you are sane;
Demur,—you ’re straightway dangerous,
And handled with a chain.
Emily Dickinson
Cameras and Lenses in Use:
Yashica Mat 124 w/ Yashinon 80/3.5,
CV Apo-Lanthar 90/3.5SL, (Thank you Klaus),
Pentax 645,
Flek 50,
Pentax-A 150
Pentax-A 120 Macro
Voigtlander Vitomatic I w/Color Skopar 50/2.8
Konica TC and zoom lenses (thanks Carsten)
Contax AX
Yashica ML 50/2
Yashica ML 35/2.8
Carl Zeiss Contax 50/1.4
Tamron Adaptall SP 17/3.5
Tamron Adaptall 28/2.5
Tamron Adaptall SP 300/2.8 LD (IF)
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