Gerald
Joined: 25 Mar 2014 Posts: 1196 Location: Brazil
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Posted: Fri Mar 11, 2016 6:07 pm Post subject: |
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Gerald wrote:
argyle wrote: |
Fisheyes are great for landscape shooting...Horseshoe Bend on the Colorado River in Page, Arizona:
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Below, another interpretation of the Horseshoe Bend, extracted from the book "The Art of Photography" by Bruce Barnbaum. The idea is not to say which picture is better (both are excelent!), but just to show the difference between a fisheye and a rectilinear wide-angle lens.
Comments by the author Bruce Barnbaum:
The unimaginable symmetry of nature on a grand scale drew me to make this photograph. To accentuate that
symmetry, I photographed directly toward the cliffs across the 180-degree turn. To reveal the triangular rock below,
which serves as a fulcrum balancing the photograph, I placed the two front tripod legs within an inch of the 700-foot
cliff edge. The sun had just set to the left of the frame. The central cliff appears brightened, but it was not touched in
the printing; instead, all the cliffs and lower slopes around the bend were dodged continuously during the basic
exposure, then selectively bleached to balance the extreme brightness of the central rock, which seemed to be lit from
within. The unexplainable lighting makes the scene even more astounding to behold. _________________ If raindrops were perfect lenses, the rainbow did not exist. |
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visualopsins
Joined: 05 Mar 2009 Posts: 10541 Location: California
Expire: 2025-04-11
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Posted: Mon Apr 29, 2019 2:42 pm Post subject: |
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visualopsins wrote:
Another horseshoe bend, this one in Northern California:
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The Eel River near Bridge Creek Road on the Avenue of the Giants south of Myers Flat at Eagle Point. Drone photo by Christina Lombardi |
From http://kymkemp.com/2019/04/28/chronicle-visits-humboldt-spends-most-of-its-time-north-of-eureka-whats-up-with-that/ _________________ ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮ like attracts like! ☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮☮
Cameras: Sony ILCE-7RM2, Spotmatics II, F, and ESII, Nikon P4
Lenses:
M42 Asahi Optical Co., Takumar 1:4 f=35mm, 1:2 f=58mm (Sonnar), 1:2.4 f=58mm (Heliar), 1:2.2 f=55mm (Gaussian), 1:2.8 f=105mm (Model I), 1:2.8/105 (Model II), 1:5.6/200, Tele-Takumar 1:5.6/200, 1:6.3/300, Macro-Takumar 1:4/50, Auto-Takumar 1:2.3 f=35, 1:1.8 f=55mm, 1:2.2 f=55mm, Super-TAKUMAR 1:3.5/28 (fat), 1:2/35 (Fat), 1:1.4/50 (8-element), Super-Multi-Coated Fisheye-TAKUMAR 1:4/17, Super-Multi-Coated TAKUMAR 1:4.5/20, 1:3.5/24, 1:3.5/28, 1:2/35, 1:3.5/35, 1:1.8/85, 1:1.9/85 1:2.8/105, 1:3.5/135, 1:2.5/135 (II), 1:4/150, 1:4/200, 1:4/300, 1:4.5/500, Super-Multi-Coated Macro-TAKUMAR 1:4/50, 1:4/100, Super-Multi-Coated Bellows-TAKUMAR 1:4/100, SMC TAKUMAR 1:1.4/50, 1:1.8/55
M42 Carl Zeiss Jena Flektogon 2.4/35
Contax Carl Zeiss Vario-Sonnar T* 28-70mm F3.5-4.5
Pentax K-mount SMC PENTAX ZOOM 1:3.5 35~105mm, SMC PENTAX ZOOM 1:4 45~125mm
Nikon Micro-NIKKOR-P-C Auto 1:3.5 f=55mm, NIKKOR-P Auto 105mm f/2.5 Pre-AI (Sonnar), Micro-NIKKOR 105mm 1:4 AI, NIKKOR AI-S 35-135mm f/3,5-4,5
Tamron SP 17mm f/3.5 (51B), Tamron SP 17mm f/3.5 (51BB), SP 500mm f/8 (55BB), SP 70-210mm f/3.5 (19AH)
Vivitar 100mm 1:2.8 MC 1:1 Macro Telephoto (Kiron)
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