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siudym
Joined: 27 Jun 2015 Posts: 73 Location: Poland
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Posted: Wed Jun 06, 2018 3:24 pm Post subject: Konica Hexanon AR vs Mamiya-Sekor CS - 50/1.7 Wide Open |
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siudym wrote:
Camera Canon EOS 450D, wide open comparison:
1 - Hexanon AR 50/1.7
1 - Sekor CS 50/1.7
2 - Hexanon AR 50/1.7
2 - Sekor CS 50/1.7
3 - Hexanon AR 50/1.7
3 - Sekor CS 50/1.7
4 - Hexanon AR 50/1.7
4 - Sekor CS 50/1.7
5 - Hexanon AR 50/1.7
5 - Sekor CS 50/1.7
6 - Hexanon AR 50/1.7
6 - Sekor CS 50/1.7
7 - Hexanon AR 50/1.7
7 - Sekor CS 50/1.7
8 - Hexanon AR 50/1.7
8 - Sekor CS 50/1.7
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jamaeolus
Joined: 19 Mar 2014 Posts: 2927 Location: Eugene
Expire: 2015-08-20
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Posted: Wed Jun 06, 2018 3:40 pm Post subject: |
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jamaeolus wrote:
Nice work. Very little difference between those 2 to my eyes. I have a couple of copies of the Konica. Nice lens. The last one I got was an "as is" BIN from KEH. It was 14 USD and 7 shippping. Turned out to be near mint. I've had pretty good luck with the KEH "as is" most have been in fine shape. One had a filter ring ding which I hammered out with the the chopstick method. It barely shows that it was ever damaged. I've not had a chance at the Mamiya. Though I do have a 55mm 1.4 which is also a very nice lens. _________________ photos are moments frozen in time |
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willy35
Joined: 17 Jul 2017 Posts: 97 Location: BREIZH
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Posted: Wed Jun 06, 2018 4:19 pm Post subject: |
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willy35 wrote:
Yep very little different, but I vote for Sekor CS 50/1.7 _________________ Sony A7
Only shoot with CHEAP manual lenses
http://dirtcheapvintagelens.blogspot.fr
http://500px.com/jgabby_fr |
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GrahamR
Joined: 01 Feb 2018 Posts: 55
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Posted: Fri Jun 08, 2018 11:29 pm Post subject: |
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GrahamR wrote:
Great post,the sekor has creamier bokeh..but just by a little..i'm a konica guy myself though,and can spot that konica color/contrast ,haven't seen it topped yet.
That konica hex 50mm 1.7 is definitely one of the best 50's made.Great soft portrait lens wide open razor sharp stopped down with that crisp super color. |
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y
Joined: 11 Aug 2013 Posts: 304 Location: EU
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Posted: Sun Jun 10, 2018 3:16 pm Post subject: |
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y wrote:
The Hexanon is visibly more glowy than Sekor. I'd vote for the Sekor. |
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tb_a
Joined: 26 Jan 2010 Posts: 3678 Location: Austria
Expire: 2019-08-28
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Posted: Sun Jun 10, 2018 3:22 pm Post subject: |
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tb_a wrote:
y wrote: |
The Hexanon is visibly more glowy than Sekor. I'd vote for the Sekor. |
+1 _________________ Thomas Bernardy
Manual focus lenses mainly from Minolta, Pentax, Voigtlaender, Leitz, Topcon and from Russia (too many to be listed here). |
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siudym
Joined: 27 Jun 2015 Posts: 73 Location: Poland
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Posted: Wed Jun 20, 2018 4:13 pm Post subject: |
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siudym wrote:
Minolta MD 50/1.7 versus Sekor 50/1.7 - Wide Open, Canon 450D:
Here the difference is much smaller.
1. Minolta MD 50/1.7
1. Sekor 50/1.7
2. Minolta MD 50/1.7
2. Sekor 50/1.7
3. Minolta MD 50/1.7
3. Sekor 50/1.7
_________________ https://www.flickr.com/photos/siudym |
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stevemark
Joined: 29 Apr 2011 Posts: 3754 Location: Switzerland
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Posted: Thu Jun 21, 2018 8:41 am Post subject: |
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stevemark wrote:
Hoy did you adapt the Mamiya lens to your Canon DSLR? I'm still looking for a Mamiya => Sony E adapter ...
Stephan _________________ www.artaphot.ch |
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Oldhand
Joined: 01 Apr 2013 Posts: 6008 Location: Mid North Coast NSW - Australia
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Posted: Thu Jun 21, 2018 9:48 am Post subject: |
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Oldhand wrote:
The Sekor is clearly a fine lens from these images - as is the Minolta.
The Hexanon AR is also good, but doesn't deserve the oft repeated " sharpest 50mm lens..." label so often attributed to it in my opinion.
I have had it and used it with other 50mm lenses, and found it to be good, just like they were, but no better - and in many cases not as good.
I think I would describe its effect as underwhelming given the hype that I had read. Another Mamiya Sekor - the 1.8/55 in M42 mount was clearly better in my case.
In any case I sold it and I'm sure it is giving good service somewhere.
I certainly don't miss it at all.
Tom |
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itsfozzy
Joined: 20 Oct 2014 Posts: 327 Location: Stoke-on-Trent UK
Expire: 2021-04-14
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Posted: Thu Jun 21, 2018 10:20 am Post subject: |
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itsfozzy wrote:
Oldhand wrote: |
The Sekor is clearly a fine lens from these images - as is the Minolta.
The Hexanon AR is also good, but doesn't deserve the oft repeated " sharpest 50mm lens..." label so often attributed to it in my opinion.
I have had it and used it with other 50mm lenses, and found it to be good, just like they were, but no better - and in many cases not as good.
I think I would describe its effect as underwhelming given the hype that I had read. Another Mamiya Sekor - the 1.8/55 in M42 mount was clearly better in my case.
In any case I sold it and I'm sure it is giving good service somewhere.
I certainly don't miss it at all.
Tom |
Isn't it the 57mm Hexanon the one with the sharpness reputation rather than the 50mm? _________________ https://simonforsterphotographic.co.uk/
The Classic Lenses Podcast https://www.classiclensespodcast.com/
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stevemark
Joined: 29 Apr 2011 Posts: 3754 Location: Switzerland
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Posted: Thu Jun 21, 2018 11:40 am Post subject: |
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stevemark wrote:
Oldhand wrote: |
The Sekor is clearly a fine lens from these images - as is the Minolta.
The Hexanon AR is also good, but doesn't deserve the oft repeated " sharpest 50mm lens..." label so often attributed to it in my opinion.
I have had it and used it with other 50mm lenses, and found it to be good, just like they were, but no better - and in many cases not as good.
Tom |
I absolutely agree on that.
Stephan _________________ www.artaphot.ch |
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stevemark
Joined: 29 Apr 2011 Posts: 3754 Location: Switzerland
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Posted: Thu Jun 21, 2018 11:42 am Post subject: |
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stevemark wrote:
itsfozzy wrote: |
Isn't it the 57mm Hexanon the one with the sharpness reputation rather than the 50mm? |
No, it's the Hexanon AR 1.7/50mm:
http://buhla.de/Foto/Konica/Objektive/e50_17.html
Stephan _________________ www.artaphot.ch |
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itsfozzy
Joined: 20 Oct 2014 Posts: 327 Location: Stoke-on-Trent UK
Expire: 2021-04-14
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Posted: Thu Jun 21, 2018 11:50 am Post subject: |
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itsfozzy wrote:
Looks like I was getting my lenses mixed up, there does not appear to be a 57/1.7! I have a 50/1.7 sitting next to me, it's a shame I do not have a Yashica ML 50/1.7 to test it against, as that's my benchmark for 50/1.7/1.8 sharpness. _________________ https://simonforsterphotographic.co.uk/
The Classic Lenses Podcast https://www.classiclensespodcast.com/
My eBay Shop http://stores.ebay.co.uk/itsfozzy-Photography
Large Format Photography Podcast
https://largeformatphotographypodcast.podbean.com/
My Flickr Albums (more than 150 lens sample shots) https://www.flickr.com/photos/125323761@N07/albums
https://www.facebook.com/SimonForsterPhotographic/
https://www.facebook.com/groups/classiclenses/ |
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y
Joined: 11 Aug 2013 Posts: 304 Location: EU
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Posted: Fri Jun 22, 2018 7:35 am Post subject: |
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y wrote:
stevemark wrote: |
Oldhand wrote: |
The Sekor is clearly a fine lens from these images - as is the Minolta.
The Hexanon AR is also good, but doesn't deserve the oft repeated " sharpest 50mm lens..." label so often attributed to it in my opinion.
I have had it and used it with other 50mm lenses, and found it to be good, just like they were, but no better - and in many cases not as good.
Tom |
I absolutely agree on that.
Stephan |
This is absolutely true. Given the amount of spherical aberration, CA and missing half-stops (from f/1.7 straight to f/2.... I don't find the 50/1.7 compelling.
The 57/1.4 is said to have a nice bokeh. However, it is only a 6/5 double-gauss. For example RE. Auto-Topcor 58/1.4 is a 7/5 design. |
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stevemark
Joined: 29 Apr 2011 Posts: 3754 Location: Switzerland
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Posted: Mon Jun 25, 2018 9:29 am Post subject: |
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stevemark wrote:
y wrote: |
The 57/1.4 is said to have a nice bokeh. However, it is only a 6/5 double-gauss. For example RE. Auto-Topcor 58/1.4 is a 7/5 design. |
I have only limited experience with the Hexanon 1.4/57mm, but i like it, better than the Auto-Topcor RE 1.4/58mm. The Hexanon is a well balanced construction, especially for portrait work at f1.4.
Even in terms of corner resolution one should not underestimate the classical [6/5] 1.4/57mm and 1.4/58mm lenses! The Minolta MC-II 1.4/58mm (1969) for instance is as sharp as the later [7/5] Minolta MC-X 1.4/50mm. The seventh lens of the 1.4/50mm computations was necessary to keep resolution when increasing the image circle from around 40° to 46°.
The very early f1.4 SLR lenses (e. g. Auto Rokkor 1.4/58mm, Nikkor 1.4/58mm) are worse, however.
Stephan _________________ www.artaphot.ch |
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