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Gurdie
Joined: 29 Jul 2008 Posts: 997 Location: Finland
Expire: 2013-02-20
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Posted: Tue Jul 03, 2012 5:22 pm Post subject: Flowers wide open |
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Gurdie wrote:
Do you think this wide-open approach works?
#1 Nikkor-H 85/1.8 Ai´d with PK-13 extension. Actually, this is at f/2, not wide open.
#2 Helios-81N 50mm f/2 with PK-13.
#3 Helios-81N 50mm f/2 with PK-13.
_________________ Markku
Give me two hours a day of activity, and I'll take the other twenty-two in dreams.
― Salvador Dali
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Tue Jul 03, 2012 6:00 pm Post subject: |
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patrickh wrote:
Wide open gives very smooth OOF, but severely limits the DOF. These have "dreamy" quality because of those two factors, and if that is what you are looking for, then it works fine
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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pich900
Joined: 10 Jun 2007 Posts: 1745 Location: The Netherlands/Zwolle
Expire: 2012-12-27
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Posted: Tue Jul 03, 2012 6:25 pm Post subject: |
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pich900 wrote:
It works also fine for me, the dreamy effect together with the pastel colors are perfectly in harmony, well done and what a great lens! _________________ All my lenses are for sale, nikkor, Angenieux, Zeiss etc.....
Regards,
Pascal
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Nikon D700 |
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tobbsman
Joined: 25 Jul 2008 Posts: 2578 Location: Austria
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Posted: Tue Jul 03, 2012 6:27 pm Post subject: |
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tobbsman wrote:
terrific, painting-like photographs...
#2 is striking !
Cheers
Tobias _________________ Camera Pentax K10D, K20D, Super A
SMC K28 3.5, SMC K24 2.8, SMC K28/2, SMC K50/1.4,SMC A50/1.7, SMC M28/3.5, SMC A 50/1.7, SMC K135 2.5, SMC A50 1.2
SMC A35-105 3.5, SMC A70-210 4, SMC A20 2.8, SMC M28 2.8,K28/3.5 SMC A28 2.8, SMC A100 2.8 Macro, CZJ Flektogon 20 2.8 (MC), 35 2.4 (MC),S.M.C Takumar 85mm 1.8, Helios 44M-4, A.Schacht Travenar 90/2.8, C.Zeiss J. Sonnar 180/2.8
Check out my: 2012 New "Advanced Guide to Panorama Stiching" !
Check out my "Beginner's Guide to Panorama Stiching !
Visit my Asahi and Zeiss MF lens samples database ! |
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Aanything
Joined: 27 Aug 2011 Posts: 2201 Location: Piacenza, Italy
Expire: 2014-05-30
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Posted: Tue Jul 03, 2012 7:08 pm Post subject: |
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Aanything wrote:
#1 is lovely for me, better than others ( which are good however) _________________ C&C and editing of my pics are always welcome
Samples from my lenses
My gear
My Flickr |
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poilu
Joined: 26 Aug 2007 Posts: 10471 Location: Greece
Expire: 2019-08-29
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Posted: Tue Jul 03, 2012 7:25 pm Post subject: |
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poilu wrote:
very nice rendering wide open ! _________________ T* |
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yinyangbt
Joined: 08 Oct 2010 Posts: 1973 Location: Romania
Expire: 2012-12-27
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Posted: Tue Jul 03, 2012 8:24 pm Post subject: |
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yinyangbt wrote:
Hello, Markku !
Great painting-like rendering ! Love especially 1 and 2 ! _________________ Cheers , Teo
http://photo.net/photodb/member-photos?user_id=5778915 |
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NikonD
Joined: 29 Jul 2008 Posts: 1922 Location: Slovenija
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Posted: Tue Jul 03, 2012 8:31 pm Post subject: |
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NikonD wrote:
I like all three very much! |
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Gurdie
Joined: 29 Jul 2008 Posts: 997 Location: Finland
Expire: 2013-02-20
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Posted: Tue Jul 03, 2012 8:40 pm Post subject: |
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Gurdie wrote:
Thank you all!
I like the element of surprise in this kind of shots. The human eye doesn´t see the world this way, it focuses automatically, do we see everything sharp. And when you are very close to the subject, a small movement can change the background from shade to light. _________________ Markku
Give me two hours a day of activity, and I'll take the other twenty-two in dreams.
― Salvador Dali
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Wed Jul 04, 2012 1:24 am Post subject: |
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David wrote:
I like numbers 1 and 3 a fair amount. Number 2 has some shadowing around it that looks like a Photoshop artifact (though I know it's from the lens being wide-open at close range.) _________________ http://www.youtube.com/user/hancockDavidM |
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SonicScot
Joined: 01 Dec 2011 Posts: 2698 Location: Scottish Highlands
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Posted: Wed Jul 04, 2012 7:46 am Post subject: |
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SonicScot wrote:
David wrote: |
I like numbers 1 and 3 a fair amount. Number 2 has some shadowing around it that looks like a Photoshop artifact (though I know it's from the lens being wide-open at close range.) |
+1 _________________ Gary
Currently active gear....
Sony a7
E-M1 Mkll
Rubinar 1000/10 + 2x matched extender
Tamron 500/8 55BB
Sigma 100-300/4
Vivitar Series 1.... 200/3, 70-210/3.5 (V1 by Kiron), 135/2.3, 105/2.5 macro, 90/2.5 macro (Bokina), 90-180/4.5 Flat Field Macro, 28-90mm f/2.8-3.5
Carl Zeiss.... 180/2.8, 135/3.5, 85/1.4, 35/2.4 Flektagon, 21/2.8 Distagon
Nikon.... 55/3.5 micro, 50/1.2
Elicar 90/2.5 V-HQ Macro
Zhongyi Speedmaster 85/1.2
Jupiter-9 85/2
Helios.... 58/2 44-3
Hartblei 45/3.5 Super-Rotator TS-PC
Zenitar 16/2.8 fisheye
Samyang 8/3.5 fisheye
Nodal Ninja 4, Neewer leveling tripod base
Flickr http://www.flickr.com/photos/gazsus/ Website http://garianphotography.co.uk/ |
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Tervueren
Joined: 18 May 2011 Posts: 1177 Location: West Sussex, United Kingdom
Expire: 2014-11-08
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Posted: Wed Jul 04, 2012 11:57 am Post subject: |
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Tervueren wrote:
Number 3 gives me an optical illusion lol, is it convex or concave, weird |
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Rolf
Joined: 02 May 2009 Posts: 4123 Location: NRW/Germany
Expire: 2015-12-26
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Posted: Wed Jul 04, 2012 12:22 pm Post subject: |
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Rolf wrote:
I like them all. Great captured.
For me much better than the complete flowers sharp.
_________________ Rolf |
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iangreenhalgh1
Joined: 18 Mar 2011 Posts: 15685
Expire: 2014-01-07
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Posted: Wed Jul 04, 2012 1:02 pm Post subject: |
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iangreenhalgh1 wrote:
Rolf wrote: |
I like them all. Great captured.
For me much better than the complete flowers sharp.
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+1 _________________ I don't care who designed it, who made it or what country it comes from - I just enjoy using it! |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jul 04, 2012 1:10 pm Post subject: |
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Orio wrote:
It sure works. I also like to photograph flowers this way. Your samples are very nice for me.
Two reflections:
1- with this style of photograph, framing is crucial. You generally don't want large areas of a flat colour in; also, partial
shapes of flowers other than the main subject have to be evaluated carefully (if they look good, if they are distracting, etc.)
2- background colour is also crucial. It needs to match the main subject well. You may want to consider the use of
selected cardboards for backgrounds if the ambient backgorund colours do not fit your image in an ideal way. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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