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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 30, 2008 10:48 am Post subject: First Shots with Nikkor 50mm 1.8 AI (long nose) |
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Richard_D wrote:
Weather was a little overcast.
f1.8:
f2.8:
f4:
f5.6:
f8:
All with minor level adjustments and light sharpening. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come...
Last edited by Richard_D on Wed Jan 30, 2008 12:15 pm; edited 1 time in total |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 30, 2008 10:52 am Post subject: |
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Richard_D wrote:
100% Crops unsharpened:
f8 (edge) :
f5.6 (nr center):
f1.8 (midway between centre and edge):
_________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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poilu
Joined: 26 Aug 2007 Posts: 10469 Location: Greece
Expire: 2019-08-29
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Posted: Wed Jan 30, 2008 11:25 am Post subject: |
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poilu wrote:
very nice result Richard
but I would like to know the focal length to evaluate how good is this lens _________________ T* |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 30, 2008 11:27 am Post subject: |
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Orio wrote:
I think it's a 50mm _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 30, 2008 11:34 am Post subject: |
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Orio wrote:
Richard, if it's the 50mm - I have that lens. I used to have the AF version also. The AF was probably a little better (hrmpf ), as it further improved on the control of geometrical distortion, which was, in the AF, virtually zero - I used to have the 60 Macro AF also, and by comparison it fainted - the 60 Macro had a very noticeable barrel distortion where the 50 1.8 AF had none - so I ended up keeping to use the 50 1.8 for my reproduction of paintings, in spite of fact I bought the macro lens precisely for that!
However the 50 1.8 AF had the worst plastic barrel I ever met in a lens. Even worser than the worst cheapest lenses around. So I sold it, and bought the AI version, which has a very nice metal barrel that feels completely different.
It is a very good lens, but unfortunately, I rarely use it even with Nikkor cameras, because I always end up preferring the 1.4/50 instead - except for reproductions.
Speaking of your images, the #5, with the wooden houses and the canal, is just a fantastic view. It makes me immediately dream of a story - a very scenic place. Would do great in a movie.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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poilu
Joined: 26 Aug 2007 Posts: 10469 Location: Greece
Expire: 2019-08-29
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Posted: Wed Jan 30, 2008 11:34 am Post subject: |
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poilu wrote:
yes I found it in 'Through the window' thread it's the 50mm 1.8
the 1.8 flower is sharp where in focus
this 5.6 sample look little soft to me, of course overcast condition may play a important role _________________ T* |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 30, 2008 11:58 am Post subject: |
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Richard_D wrote:
poilu wrote: |
yes I found it in 'Through the window' thread it's the 50mm 1.8
the 1.8 flower is sharp where in focus
this 5.6 sample look little soft to me, of course overcast condition may play a important role |
Yes it's the 50mm (must edit the first post )
With the 5.6 I think it's probably too slow a shutter speed and too many coffees - It seems acceptably sharp at 1.8, getting slowly slightly sharper up to f8 (not bright enough for anything smaller, but I suspect it will gradually decline until f22 when diffraction (at least on my sensor) softens it slightly. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Wed Jan 30, 2008 12:14 pm Post subject: |
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Richard_D wrote:
Orio wrote: |
Richard, if it's the 50mm - I have that lens. I used to have the AF version also. The AF was probably a little better (hrmpf ), as it further improved on the control of geometrical distortion, which was, in the AF, virtually zero - I used to have the 60 Macro AF also, and by comparison it fainted - the 60 Macro had a very noticeable barrel distortion where the 50 1.8 AF had none - so I ended up keeping to use the 50 1.8 for my reproduction of paintings, in spite of fact I bought the macro lens precisely for that!
However the 50 1.8 AF had the worst plastic barrel I ever met in a lens. Even worser than the worst cheapest lenses around. So I sold it, and bought the AI version, which has a very nice metal barrel that feels completely different.
It is a very good lens, but unfortunately, I rarely use it even with Nikkor cameras, because I always end up preferring the 1.4/50 instead - except for reproductions.
Speaking of your images, the #5, with the wooden houses and the canal, is just a fantastic view. It makes me immediately dream of a story - a very scenic place. Would do great in a movie.
- |
Orio - Yes I've handled the AF version and well what can I say, I don't care how good the optics are, it feels vile . Both the E series 50/1.8 and the short nose 50 mm AIS reputedly have the best geometric control (as I understand it the AF's optics are based on those). I've got the E series, but it's flare resistance is very poor and the 'throw' isn't as nice as the AI.
Comparing the 50mm f2 AI, 50mm f1.8 and 50mm f1.4 AI's (well based on recent usage rather than a controlled test!) the f1.8 does seem to sit in the middle - the f2 has the nicest oof (and general 'roundness', the 1.4 the poorest (still okay), the 1.4 is the sharpest (although at f5.6-f8 the difference between them is negligable) the f2 the poorest. The f1.8 definitely has the least geometric distortion. I like them all
Shot 5 is The Stour - the river splits in two just outside the town before rejoining the other side, this section running pretty much through the centre of the town. The best movie featuring Canterbury is Powell & Pressburger's 'A Canterbury Tale', although I can't remember whether this bit of the town is in it, and much of the film was shot in surrounding villages. _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Wed Jan 30, 2008 4:22 pm Post subject: |
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Orio wrote:
Richard_D wrote: |
I like them all |
Me too, although I don't have all of them anymore, I used to have them all - I especially miss the E series 1.8/50, which was stolen from me in London together with my photo bag
Anyway the owner of the shop where I used to go time ago (he's not there anymore) used to tell me that "there is no Nikon 50mm lens that is less than excellent" and he was right. Whatever one you choose, you always get a great lens.
- _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Wed Jan 30, 2008 9:41 pm Post subject: |
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patrickh wrote:
I have the short barrel 50/1.8 and I am always torn between the three I have (1.4, 2, and 1.. I also have the AF 1.8 (at $60 it has to be the optical bargain of the century) - it may well be the sharpest of all the nikkors for all its crap construction. As Orio says - they are all excellent and these samples do nothing to dispel that theory.
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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peterm1
Joined: 06 Dec 2007 Posts: 224
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Posted: Wed Jan 30, 2008 9:49 pm Post subject: |
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peterm1 wrote:
Here is a review and test of the AIS version.
http://www.photozone.de/Reviews/Nikkor%20/%20Nikon%20Lens%20Tests/46-nikon--nikkor-aps-c/218-nikkor-ai-s-50mm-f18-review--lab-test-report
I own the pre AI f2 and the AF f1.8 and both are capable of superb results. Just check out the resolution figures for this lens in the above test. Wow.
It is one of my favourite lens types. Although i have just received a 55mm f2.8 Nikkor micro in the AF version and am keen to see if that tops it as I understand that this lens is as good for distance as it is for close up work.
Orio is right about the AF versions build quality - very sub par for Nikon. But I bought the lens knowing it had this reputation. And as I got it for well under $100 it was cheap. Its performance makes up for it so I forgive it this foible and happily kept and still use the lens. _________________ PeterM |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Jan 31, 2008 11:54 am Post subject: |
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Richard_D wrote:
A better 5.6 shot and matching 100% crop:
Unsharpened 100% crop:
_________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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poilu
Joined: 26 Aug 2007 Posts: 10469 Location: Greece
Expire: 2019-08-29
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Posted: Thu Jan 31, 2008 12:11 pm Post subject: |
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poilu wrote:
yeah, i like this 100% crop _________________ T* |
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VGR
Joined: 28 Jan 2008 Posts: 160 Location: Belarus
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Posted: Thu Jan 31, 2008 12:19 pm Post subject: |
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VGR wrote:
Nikkor 50/1.8 very sharp lens
Richard_D Thank you for the samples _________________ http://oly43club.ru/ |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Thu Jan 31, 2008 12:47 pm Post subject: |
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ChrisLilley wrote:
peterm1 wrote: |
It is one of my favourite lens types. Although i have just received a 55mm f2.8 Nikkor micro in the AF version and am keen to see if that tops it as I understand that this lens is as good for distance as it is for close up work. |
Is "AF" a typo for "AI" or "AiS"? This lens was replaced by a 60mm one when Nikon moved to AF.
The 55/2.8 is indeed great at distance as well as for close-up. Sample (links to other sizes)
_________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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BenediktW
Joined: 24 Jan 2008 Posts: 336 Location: Solingen, Germany
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Posted: Thu Jan 31, 2008 1:08 pm Post subject: |
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BenediktW wrote:
I´m sure it´s not, as there was an AF-version of the 55mm Mirco which was built from 1986 to 1989.
By the way, your attached picture is fantastic. I love the light and the textures of the building. _________________ http://www.1979fotographie.de/
Nikon D90, Sony NEX-3
AF-Nikkors 24mm F2,8, 35mm F1,8 DX, 85mm F1,8, 28-105mm F3,5-4,5D IF
Nikon MF: Nikkor 20mm F4, Nikkor 50mm F2 Ai, Micro-Nikkor-P 55mm F3,5, Nikkor 135mm F2,8 Ai, Nikkor 200mm F4
Carl Zeiss Sonnar 135mm F2,8 [for sale], Vario-Sonnar 80-200mm F4 T* (C/Y) with Leitax for Nikon-F
Minolta MD-Rokkors: 28mm F2,8, 45mm F2
M42 Lenses: Mamiya/Sekor SX 21mm F4, SX 28mm F2,8, SX 55mm F1,8, SX 135mm F2,8, 400mm F6,3 [for sale], Asahi-Pentax Super-Tak. 28mm F3,5 and 55mm F1,8, CZJ Tessar 50mm F2,8, Vivitar 135mm F2,8
Mamiya 645 Lenses: Mamiya Sekor C 80mm F2,8 N, 300mm F5,6, 105-210mm F4,5 ULD [for sale] |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Thu Jan 31, 2008 2:02 pm Post subject: |
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LucisPictor wrote:
Very nice shots with a "pleasant character" and the last one is ever so nice a setting!
Orio wrote: |
Richard, if it's the 50mm - I have that lens. I used to have the AF version also. The AF was probably a little better (hrmpf ), as it further improved on the control of geometrical distortion... |
According to the Malaysian site the geometrical distortion was the only little "flaw" the 2/50 AI had. The predecessor is said to be better.
Orio wrote: |
However the 50 1.8 AF had the worst plastic barrel I ever met in a lens... |
Have you ever used an EF 1.8/50 II.
Very nice glass but the built of a plastic yoghurt cup. (It's called "plastic fantastic" and that's kind of true!) _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Jan 31, 2008 2:25 pm Post subject: |
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Orio wrote:
LucisPictor wrote: |
Have you ever used an EF 1.8/50 II.
Very nice glass but the built of a plastic yoghurt cup. (It's called "plastic fantastic" and that's kind of true!) |
Yes I have one. I have the same feeling as about the Nikkor: great lens in shitty barrel. I am not selling it only for work reason (I might need it for my work). But I never use it for my photography. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu Jan 31, 2008 4:44 pm Post subject: |
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patrickh wrote:
I loved Rupert Bear when I was very little
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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Richard_D
Joined: 21 Oct 2007 Posts: 2378 Location: Faversham Kent UK
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Posted: Thu Jan 31, 2008 5:08 pm Post subject: |
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Richard_D wrote:
patrickh wrote: |
I loved Rupert Bear when I was very little
patrickh |
We've not got bad literary connections in Canterbury - Christopher Marlowe was born here, Jane Austen and Ian Fleming lived in near by villages, Charles Dickens lived up the road and wrote about Canterbury. Karl Marx visited (and hated it), then there's Chaucer... _________________ Richard
The interesting bit:
Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.
DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.
More to come... |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Thu Jan 31, 2008 6:45 pm Post subject: |
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LucisPictor wrote:
Richard_D wrote: |
... then there's Chaucer... |
I was about to say! Don't forget good, old Geoffrey!
(For me as one who has a degree in English literature, this is an amazing area!) _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Thu Jan 31, 2008 8:01 pm Post subject: |
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Orio wrote:
Then, for prog rock fans, there's the Canterbury sound...
http://en.wikipedia.org/wiki/Canterbury_sound _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Fri Feb 01, 2008 12:22 am Post subject: 50mm f/1.1 |
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ChrisLilley wrote:
Richard I believe you are missing a Nikkor 50mm from your collection and, to be truly complete, advise you to snap it up at once.
Click here to see on Ebay
_________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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ChrisLilley
Joined: 01 Jan 2008 Posts: 1767 Location: Nice, France
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Posted: Fri Feb 01, 2008 12:32 am Post subject: |
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ChrisLilley wrote:
BenediktW wrote: |
I´m sure it´s not, as there was an AF-version of the 55mm Mirco which was built from 1986 to 1989. |
On further examination yes, you are correct and I was wrong. Wasn't aware of the 55mm f/2.8 AF before.
I must say it looks pretty awful compared to the MF version _________________ Camera (ˈkæ mə rə), n. Device for taking pictures in bright light
There are 10 kinds of people in the world: those who understand binary, and those who don’t. Key: Ai-P, Ai, Ai'ed, AiS
Camera: Nikon D90, D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 K, AI'ed | N.K. Nikkor-N 24mm f/2.8 | Nikkor-N.C 24mm f/2.8 | Nikkor 28mm f/2.8 AiS late model | Арсенал (Arsenal) Мир-24Н (Mir-24N) 35mm f/2 | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Micro-Nikkor 55mm f/2.8 AiS | Zoom-Nikkor 80-200 f/4.5 Ai | ЛЗОС (LZOS) Юпитер-9 (Jupiter-9) 85mm f/2 | Cosina Voigtländer APO-Lanthar 90mm f/3.5 SL | Nikkor-P 105mm f/2.5 pre-Ai, Ai'ed | Micro-Nikkor 105mm f/4 | Schneider Kreuznach Componon 105mm f/5.6 | Nikkor 135mm f/2.8, Ai'ed 1976 model | Nikkor 180mm f/2.8 ED AiS | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai (full equipment list) |
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Farside
Joined: 01 Sep 2007 Posts: 6549 Location: Ireland
Expire: 2013-12-27
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Posted: Fri Feb 01, 2008 1:06 am Post subject: Re: 50mm f/1.1 |
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Farside wrote:
ChrisLilley wrote: |
Richard I believe you are missing a Nikkor 50mm from your collection and, to be truly complete, advise you to snap it up at once.
Click here to see on Ebay
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Hah. Before I clicked on the link I knew it would be a fantastic price. But missing caps and hood? That must, at PhotoArsenal prices, knock at least 2grand off it. _________________ Dave - Moderator
Camera Fiend and Biograph Operator
If I wanted soot and whitewash I'd be a chimney sweep and house painter.
The Lenses of Farside (click)
BUY FRESH FOMAPAN TO HELP KEEP THE FACTORY ALIVE ---
Foma Campaign topic -
http://forum.mflenses.com/foma-campaign-t55443.html
FOMAPAN on forum -
http://www.mflenses.com/fs.php?sw=Fomapan
Webshop EU
http://www.fomafoto.com/ |
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