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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Fri Sep 17, 2010 10:42 pm Post subject: DP 1 vs. E500 + 14-54/2.8 |
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yadisl wrote:
Not so serious comparison
First: DP1 (no adjust)
_________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7.
Last edited by yadisl on Fri Sep 17, 2010 10:45 pm; edited 1 time in total |
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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Fri Sep 17, 2010 10:43 pm Post subject: |
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yadisl wrote:
Then Olympus E500 + 14-54 (resized to the same width with DP1)
_________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7. |
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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Fri Sep 17, 2010 10:45 pm Post subject: |
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yadisl wrote:
E 500 + 14-54 (level adjust, boost saturation and sharpened in GIMP)
_________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7. |
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Attila
Joined: 24 Feb 2007 Posts: 57849 Location: Hungary
Expire: 2025-11-18
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Posted: Sat Sep 18, 2010 12:21 am Post subject: |
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Attila wrote:
Adjusted picture is equal with DP1 , without adjusting pretty crap. _________________ -------------------------------
Items on sale on Ebay
Sony NEX-7 Carl Zeiss Planar 85mm f1.4, Minolta MD 35mm f1.8, Konica 135mm f2.5, Minolta MD 50mm f1.2, Minolta MD 250mm f5.6, Carl Zeiss Sonnar 180mm f2.8
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Sat Sep 18, 2010 12:52 pm Post subject: |
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rbelyell wrote:
not so serious, but to me foveon proves itself again! and really, this is how we shoot, right? not at charts, but at scenes! i often miss my sd14, but then i remember what a pain it was to get those foveon images! _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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Anu
Joined: 14 Apr 2009 Posts: 879
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Posted: Sat Sep 18, 2010 5:39 pm Post subject: |
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Anu wrote:
rbelyell wrote: |
not so serious, but to me foveon proves itself again! and really, this is how we shoot, right? not at charts, but at scenes! i often miss my sd14, but then i remember what a pain it was to get those foveon images! |
Yes, Foveon proved that it can compete with a downsized version of an image taken with a smaller sensored camera |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sat Sep 18, 2010 5:51 pm Post subject: |
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Orio wrote:
The first image shows a degree of barrel distortion higher than the second image.
Since tuning the colours of a digital camera can be done afterwards with no resolution loss (while instead correcting barrel distortion produces a degradation of the IQ), I would choose the camera of the second image. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Sat Sep 18, 2010 10:53 pm Post subject: |
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yadisl wrote:
Orio wrote: |
The first image shows a degree of barrel distortion higher than the second image.
Since tuning the colours of a digital camera can be done afterwards with no resolution loss (while instead correcting barrel distortion produces a degradation of the IQ), I would choose the camera of the second image. |
Aww, you're right, Orio. It's pretty much pronounced in that area.
Although as far as I see DP1's picture handles highlights better than the Oly (due to bigger sensor, probably). _________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7. |
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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Sat Sep 18, 2010 10:57 pm Post subject: |
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yadisl wrote:
rbelyell wrote: |
not so serious, but to me foveon proves itself again! and really, this is how we shoot, right? not at charts, but at scenes! i often miss my sd14, but then i remember what a pain it was to get those foveon images! |
Yes, somehow I think it doesn't worth the effort - but the foveon look is just so unique and lovely that I do shoot with it again and again. Especially because of the 'pocketability' factor of the DP1. _________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7. |
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yadisl
Joined: 03 Dec 2009 Posts: 180 Location: the Netherlands
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Posted: Sat Sep 18, 2010 10:58 pm Post subject: |
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yadisl wrote:
Attila wrote: |
Adjusted picture is equal with DP1 , without adjusting pretty crap. |
Yeah, in fact I can produce the 'processed look' by selecting the vivid tone in the E500.
Way faster than messing with SPP 4.1 _________________ Tell me what you love, I will tell you who you are (Proust)
TLR yashica 635, 124
Canon canonet 1.9
Olympus E500
KM Dynax 7D
Sigma DP1
Rokkor MD 200/4, MD 50/1.4, MC PF 50/1.4, MD 135/3.5, Pentax SMC-M 50/4 macro, Takumar 105/2.8, Jena DDR 135/3.5, Porst 135/2.8, Prinzgalaxy 300/4, Mamiya ZE 300/4, Jena Tessar 50/2.8, Pancolar 50/1.8, CZJ Flektogon 4/20, Helios 58/2, Konica Hexar AR 50/1.4, Wollensak Velostigmat 90/4.5, Voigtlander Heliar 18 cm / 4.5, Heliar 15 cm / 4.5, APO Lanthar 15 cm / 4.5, Zeiss Tessar 105/3.5, Zeiss Opton 75/3.5, Mamiya 55/2.8, ZD 14-42, Minolta 17-35/2.8-4 D, Petri 35/3.5, Leica-R 35/2.8, Minolta 70-210/4, Minolta 35-70/4, Minolta 50/1.7. |
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