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Double Bass Girl, shot with Super Takumar 135mm f/3.5
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zewrak



Level 3

Joined: 12 Apr 2008
Posts: 643

PostPosted: Thu Jul 03, 2008 9:12 pm    Post subject: Reply with quote

Orio wrote:
It's great for me, Zewrak.


As much as I like to hear that, I liked your elaborations before. Smile What do you think is better/worse? I am learning here, you know. Only kind words don't help. *grin*
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My Flickr - We saved paradise, by introducing the serpent.

PENTAX K10D, Spotmatic
Asahi Super Takumar 20/4.5 50/1.4 55/1.8 85/1.9 105/2.8 135/3.5 150/4 200/4
Asahi S-M-C Takumar 35/3.5 300/4
Asahi S-M-C Macro-Takumar 50/4
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Orio



Level 4

Joined: 24 Feb 2007
Posts: 10764
Location: West Emilia

PostPosted: Thu Jul 03, 2008 10:22 pm    Post subject: Reply with quote

zewrak wrote:
Orio wrote:
It's great for me, Zewrak.


As much as I like to hear that, I liked your elaborations before. Smile What do you think is better/worse? I am learning here, you know. Only kind words don't help. *grin*


Your last version is very close to my elaboration. If I have to find the hair in the egg, I would say that I would crop a little on the top, like this:



But it's really nitpicking.
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ХОРИОС-61 ( ώρεος ) : Lens sana in corpore sano

Main Tools:
LENSES: Russian, Zeiss, Leitz, old Nikkors.
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ChrisLilley



Level 3

Joined: 01 Jan 2008
Posts: 876
Location: Nice, France

PostPosted: Thu Jul 03, 2008 10:30 pm    Post subject: Reply with quote

zewrak wrote:

Worked it a bit. Am I doing ok? :p


So this is from the colour shot above, with the mic and cable cloned out and then greyscaled and cropped?

Yes, looks good. Compare the strings to the ones on the original photo (which does have a better facial expression, as you said).
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Camera (ˈkæ mə rə), n. Device for taking pictures in bright light (lenses in use)
Camera: Nikon D40, DK-21M eyepiece, ML-3 remote MF lenses: Nikkor 20mm f/4 non-AI | Nikkor 28mm f/2.8 AiS late model | Cosina Voigtländer Ultron SL II 40mm f/2.0 | Nikkor-S.C 50mm f/1.4 non-AI | Nikon 50mm f/1.8 E | Micro-Nikkor 55mm f/2.8 AiS | Vivitar Series 1 (Kiron) 70-210 f/3.5 | Zoom-Nikkor 80-200 f/4.5 Ai | Nikkor 135mm f/2.8, Ai'ed 1976 model | Арсенал (Arsenal) ТЕЛЕАР-Н (Telear-n) 200mm f/3.5 | Nikkor 300 mm f/4.5 Ai
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zewrak



Level 3

Joined: 12 Apr 2008
Posts: 643

PostPosted: Thu Jul 03, 2008 11:25 pm    Post subject: Reply with quote

Orio wrote:
zewrak wrote:
Orio wrote:
It's great for me, Zewrak.


As much as I like to hear that, I liked your elaborations before. Smile What do you think is better/worse? I am learning here, you know. Only kind words don't help. *grin*


Your last version is very close to my elaboration. If I have to find the hair in the egg, I would say that I would crop a little on the top, like this:

But it's really nitpicking.


Yeah that looks good. Smile Thanks for your input helped me alot to see the not so obvious. Smile Should do this more often.


[Quote=ChrisLilley]
So this is from the colour shot above, with the mic and cable cloned out and then greyscaled and cropped?

Yes, looks good. Compare the strings to the ones on the original photo (which does have a better facial expression, as you said).
[/quote]

Yes this is the same picture.

Here is a bit from the workflow

Straightened it


Edited the fence, microphone stand and car away.


Then converted to b&w. Burned the hair a bit and put on a unsharp mask. Masked out the unsharp mask so that it was only affecting hair, eyes, mouth, fingers and shirt.

Smile
_________________
My Flickr - We saved paradise, by introducing the serpent.

PENTAX K10D, Spotmatic
Asahi Super Takumar 20/4.5 50/1.4 55/1.8 85/1.9 105/2.8 135/3.5 150/4 200/4
Asahi S-M-C Takumar 35/3.5 300/4
Asahi S-M-C Macro-Takumar 50/4
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Rob Leslie



Level 3

Joined: 20 Mar 2007
Posts: 621
Location: UK Swindon

PostPosted: Fri Jul 04, 2008 11:02 am    Post subject: Reply with quote

zewrak wrote:
[img]

Worked it a bit. Am I doing ok? :p


I don’t like your last version.
The bar cutting straight across the picture ruins it. It catches the eye and takes the attention from the subject.
I believe if you showed this version to a non photographer they would say.
“Nice photo, shame the bar was in the way”
Your very first version takes some beating especially from the original you have to work with, as you wrote
‘Seeing all of the image takes the magic away a bit though’
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Pentax K10D & K100D. Retired film cameras, Nikon and Pentax. Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet and many many others. Digital user.
http://roblesliephotography.blogspot.com
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zewrak



Level 3

Joined: 12 Apr 2008
Posts: 643

PostPosted: Fri Jul 04, 2008 12:08 pm    Post subject: Reply with quote

Rob Leslie wrote:
zewrak wrote:
[img]

Worked it a bit. Am I doing ok? :p


I don’t like your last version.
The bar cutting straight across the picture ruins it. It catches the eye and takes the attention from the subject.
I believe if you showed this version to a non photographer they would say.
“Nice photo, shame the bar was in the way”
Your very first version takes some beating especially from the original you have to work with, as you wrote
‘Seeing all of the image takes the magic away a bit though’


I have considered to remove the whole fence. But to be honest, I think there is too much of photoshop work. The final picture will be somewhat like the original one.

Funny thing though, I posted it on two different sites (excluding this) and as you say, the first cut got only good comments and the last only got comments about the rail, nothing else. Smile

This was a good lecture though.
_________________
My Flickr - We saved paradise, by introducing the serpent.

PENTAX K10D, Spotmatic
Asahi Super Takumar 20/4.5 50/1.4 55/1.8 85/1.9 105/2.8 135/3.5 150/4 200/4
Asahi S-M-C Takumar 35/3.5 300/4
Asahi S-M-C Macro-Takumar 50/4
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Rob Leslie



Level 3

Joined: 20 Mar 2007
Posts: 621
Location: UK Swindon

PostPosted: Fri Jul 04, 2008 9:28 pm    Post subject: Reply with quote

zewrak wrote:
Rob Leslie wrote:
zewrak wrote:
[img]

Worked it a bit. Am I doing ok? :p


I don’t like your last version.
The bar cutting straight across the picture ruins it. It catches the eye and takes the attention from the subject.
I believe if you showed this version to a non photographer they would say.
“Nice photo, shame the bar was in the way”
Your very first version takes some beating especially from the original you have to work with, as you wrote
‘Seeing all of the image takes the magic away a bit though’


I have considered to remove the whole fence. But to be honest, I think there is too much of photoshop work. The final picture will be somewhat like the original one.

Funny thing though, I posted it on two different sites (excluding this) and as you say, the first cut got only good comments and the last only got comments about the rail, nothing else. Smile

This was a good lecture though.


That tells it all and certainly should reinforce your ideas.
Nice one and thanks for the informative feedback.
_________________
Pentax K10D & K100D. Retired film cameras, Nikon and Pentax. Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet and many many others. Digital user.
http://roblesliephotography.blogspot.com
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