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Pontus
Joined: 18 Dec 2011 Posts: 1471 Location: Jakobstad, Finland
Expire: 2016-08-25
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Posted: Sun Jun 10, 2012 9:39 pm Post subject: Divers of the dark |
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Pontus wrote:
C&C most welcome. Thanks!
Divers of the dark:
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Last edited by Pontus on Thu Jun 28, 2012 2:03 pm; edited 1 time in total |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun Jun 10, 2012 9:45 pm Post subject: |
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Orio wrote:
I like them, especially 1 and 3 because they are decontextualized. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
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erkie
Joined: 08 Oct 2011 Posts: 308 Location: Missouri
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Posted: Mon Jun 11, 2012 2:03 am Post subject: |
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erkie wrote:
I think these have a very disturbing quality ! Which I like very much !!! Almost surreal in a way . Nice choice of tones for the subject . And the askew framing adds to the feeling . Only nitpick I have is the incomplete round knobs on the bottom of #3 but the subject is interesting enough that it doesn't overwhelm me . _________________
I shoot film and meter with digital
Asahi H3v, Praktica FX3, Retina IIa, Spotmatic sp1000, Fujica V2, Yashica lynx5000, Pentax Sf1, Minolta SRT102, Minolta7000i, Pentax MX, Pentax ME, Pentax Kx
lensesM42- Isco Gottingen Westanar 50/2.8, Isco Gottingen Westron 35/2.8, Rikenon 35/2.8, Spiratone Tc 105/2.5, Spiratone Tc 200/4.5, Sankyo Kohki Komura 300/5, Sankyo Kohki Komura 135/3.5, Auto Tak 35/3.5, Super Tak 150/4, S-M-C Tak 50/1.4, S-M-C Tak 28/3.5, SMC Tak 55/2, Mamya Sekor 55/1.8
K- mount- Helios 44-K-4, Jc penny 28/2.8, Da 18-55, Da 55-300, Pentax F 35-70, SMCP M 50/1.4, SMCP M 50/1.7
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Mon Jun 11, 2012 6:08 am Post subject: |
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David wrote:
I like #2 the most. It has the greatest distance between the face and the mask, so the face is in clear focus but the mask is less so. That places a greater emphasis on the human subject and, to me, forces a greater connection and emotive response to the person behind the glass.
The framing in #1 is great, but I'm not a huge fan of the framing in #3. I think it's a combination of the geometric shape (both other masks have curved shapes) and the details cut off the the bottom (the aforementioned knobs.) _________________ http://www.youtube.com/user/hancockDavidM |
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Pontus
Joined: 18 Dec 2011 Posts: 1471 Location: Jakobstad, Finland
Expire: 2016-08-25
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Posted: Mon Jun 11, 2012 6:43 am Post subject: |
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Pontus wrote:
Thanks for the critique! Do you think this version of #3 is an improvement? I could do a larger crop showing the knobs but that would take away from the intimacy.
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pich900
Joined: 10 Jun 2007 Posts: 1745 Location: The Netherlands/Zwolle
Expire: 2012-12-27
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Posted: Mon Jun 11, 2012 6:47 am Post subject: |
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pich900 wrote:
Very mysterious serie with great B&W rendering, I love it all! If I have to choose one, it will be definitively the #2, for the same reason as David, perfect framing & focus ..... _________________ All my lenses are for sale, nikkor, Angenieux, Zeiss etc.....
Regards,
Pascal
-------------------------------------------------------
Nikon D700 |
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Minolfan
Joined: 30 Dec 2008 Posts: 3437 Location: Netherlands
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Posted: Mon Jun 11, 2012 7:33 am Post subject: |
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Minolfan wrote:
And I agree with Orio ! |
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Pontus
Joined: 18 Dec 2011 Posts: 1471 Location: Jakobstad, Finland
Expire: 2016-08-25
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Posted: Thu Jun 28, 2012 1:59 pm Post subject: |
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Pontus wrote:
I think I want to print and frame these pictures. Before I send them in, since I don't have a calibrated monitor, would you print the pictures as they are or do they need a brightness adjustment? Thanks in advance! _________________ Follow this link for my FOR SALE list (partially updated 19.11.2015) |
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sichko
Joined: 20 Jun 2008 Posts: 2475 Location: South West UK
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Posted: Thu Jun 28, 2012 2:42 pm Post subject: |
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sichko wrote:
Pontus wrote: |
I think I want to print and frame these pictures. Before I send them in, since I don't have a calibrated monitor, would you print the pictures as they are or do they need a brightness adjustment? Thanks in advance! |
I think that they are great pictures with a sense of mystery and a "dark" mood. Printed large I think that the three would make a nice triptych.
I personally would increase the brightness, lift the shadows and, maybe, increase the contrast. But that would be my taste and these are your pictures. Why don't you try different edits and get small prints for each ? You can then decide which you like best before printing at a larger size - if that is what you are going to do. _________________ John |
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patrickh
Joined: 23 Aug 2007 Posts: 8551 Location: Oregon
Expire: 2011-11-18
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Posted: Thu Jun 28, 2012 10:16 pm Post subject: |
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patrickh wrote:
My taste coincides with sichko, I also like the series. A triptych on the wall!
patrickh _________________ DSLR: Nikon D300 Nikon D200 Nex 5N
MF Zooms: Kiron 28-85/3.5, 28-105/3.2, 75-150/3.5, Nikkor 50-135/3.5 AIS // MF Primes: Nikkor 20/4 AI, 24/2 AI, 28/2 AI, 28/2.8 AIS, 28/3.5 AI, 35/1.4 AIS, 35/2 AIS, 35/2.8 PC, 45/2.8 P, 50/1.4 AIS, 50/1.8 AIS, 50/2 AI, 55/2.8 AIS micro, 55/3.5 AI micro, 85/2 AI, 100/2,8 E, 105/1,8 AIS, 105/2,5 AIS, 135/2 AIS, 135/2.8 AIS, 200/4 AI, 200/4 AIS micro, 300/4.5 AI, 300/4.5 AI ED, Arsat 50/1.4, Kiron 28/2, Vivitar 28/2.5, Panagor 135/2.8, Tamron 28/2.5, Tamron 90/2.5 macro, Vivitar 90/2.5 macro (Tokina) Voigtlander 90/3.5 Vivitar 105/2.5 macro (Kiron) Kaleinar 100/2.8 AI Tamron 135/2.5, Vivitar 135/2.8CF, 200/3.5, Tokina 400/5,6
M42: Vivitar 28/2.5, Tamron 28/2.5, Formula5 28/2.8, Mamiya 28/2.8, Pentacon 29/2.8, Flektogon 35/2.4, Flektogon 35/2.8, Takumar 35/3.5, Curtagon 35/4, Takumar 50/1.4, Volna-6 50/2.8 macro, Mamiya 50/1.4, CZJ Pancolar 50/1,8, Oreston 50/1.8, Takumar 50/2, Industar 50/3.5, Sears 55/1.4, Helios 58/2, Jupiter 85/2, Helios 85/1.5, Takumar 105/2.8, Steinheil macro 105/4.5, Tamron 135/2.5, Jupiter 135/4, CZ 135/4, Steinheil Culminar 135/4,5, Jupiter 135/3.5, Takumar 135/3.5, Tair 135/2.8, Pentacon 135/2.8, CZ 135/2.8, Taika 135/3.5, Takumar 150/4, Jupiter 200/4, Takumar 200/4
Exakta: Topcon 100/2.8(M42), 35/2.8, 58/1.8, 135/2.8, 135/2.8 (M42), Kyoei Acall 135/3.5
C/Y: Yashica 28/2.8, 50/1.7, 135/2.8, Zeiss Planar 50/1.4, Distagon 25/2.8
Hexanon: 28/3.5, 35/2.8, 40/1.8, 50/1.7, 52/1.8, 135/3.2, 135/3.5, 35-70/3.5, 200/3.5
P6 : Mir 38 65/3.5, Biometar 80/2.8, Kaleinar 150/2.8, Sonnar 180/2.8
Minolta SR: 28/2.8, 28/3.5, 35/2.8, 45/2, 50/2, 58/1.4, 50/1.7, 135/2.8, 200/3.5
RF: Industar 53/2.8, Jupiter 8 50/2
Enlarg: Rodagon 50/5,6, 80/5,6, 105/5.6, Vario 44-52/4, 150/5.6 180/5.6 El Nikkor 50/2,8,63/2.8,75/4, 80/5,6, 105/5.6, 135/5.6 Schneider 60/5.6, 80/5.6, 80/4S,100/5.6S,105/5.6,135/5.6, 135/5.6S, 150/5.6S, Leica 95/4 |
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David
Joined: 13 Apr 2011 Posts: 1869 Location: Denver, Colorado
Expire: 2013-01-25
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Posted: Fri Jun 29, 2012 4:10 am Post subject: |
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David wrote:
I do prefer your recrop of three much more than the original. It had better subject focus. _________________ http://www.youtube.com/user/hancockDavidM |
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Pontus
Joined: 18 Dec 2011 Posts: 1471 Location: Jakobstad, Finland
Expire: 2016-08-25
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Posted: Wed Nov 21, 2012 7:39 pm Post subject: |
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Pontus wrote:
I started from scratch, wanted to see if a break would make me see the pictures in a different way? The images turned out quite similar but not quite. Any last minute suggestions before I send them in for printing and framing? I'm thinking white frames and white paspartout, size about A4. Thanks!
[url=http://forum.mflenses.com/userpix/201211/big_5030__DSC0560_3_1.jpg]
[/url]
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Pontus
Joined: 18 Dec 2011 Posts: 1471 Location: Jakobstad, Finland
Expire: 2016-08-25
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Posted: Sat Nov 24, 2012 5:42 pm Post subject: |
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Pontus wrote:
Two "bonus" pictures that I just processed:
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