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Distagon 2.8/21 (Chris' visit)
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PostPosted: Tue Sep 22, 2009 10:56 pm    Post subject: Distagon 2.8/21 (Chris' visit) Reply with quote

Here's the pictures that I took with the Distagon 2.8/21 always on the 5D Mark II:


PostPosted: Tue Sep 22, 2009 10:57 pm    Post subject: Reply with quote

Vigoleno:


Vigoleno:


Vigoleno:


Vigoleno:


Vigoleno:


Vigoleno:


Vigoleno:
(you will notice that this picture is from the same point of view that I took the photos of the roller skating boys from, which I published yesterday)


Castell'Arquato:


Castell'Arquato:
(this scene was very funny. The young woman was learning how to use the camera. It took her 15 minutes or maybe more to set up everything for the group photo Laughing )


Veleia:


Veleia:


Veleia:


Veleia:


Veleia:


Veleia:


PostPosted: Tue Sep 22, 2009 11:01 pm    Post subject: Reply with quote

Top notch results Orio!!


PostPosted: Tue Sep 22, 2009 11:16 pm    Post subject: Reply with quote

kds315* wrote:
Top notch results Orio!!


Thanks. The lens helped Very Happy
a couple of 100% crops from first picture:





(do not mind the writing, it's not a 50mm lens it's the Distagon 21)

In fact I can actually say that a 100% crop from a Distagon 21 picture is like a whole picture taken with a good 180mm lens Shocked

And... the Distagon 21 thinks that "CA" is short for California...
Wink

_


PostPosted: Tue Sep 22, 2009 11:28 pm    Post subject: Reply with quote

aahh! I like such crops, great distagon also for clarity and colors


PostPosted: Wed Sep 23, 2009 1:40 am    Post subject: Reply with quote

Ohhhh, nice series. I love Italy and its scenery.
But that 21mm is something else.

The last two cropped images say .dng, do you save to .dng file
or convert RAW.cr2 file to .dng format and process/develop it?

The second shot reminds me a movie scene from
Mastronianni‘s ”La Dolche Vita".


PostPosted: Wed Sep 23, 2009 3:17 am    Post subject: Reply with quote

koji wrote:

The last two cropped images say .dng, do you save to .dng file
or convert RAW.cr2 file to .dng format and process/develop it?


The second Smile
I first download from card using Downloader Pro which stores my CR2s on a HD and gives proper renaming. Then I use Lightroom and choose to import from disk by making a copy of the files as DNG and storing them on a different HD.
This way I manage the files in Lightroom using the smaller DNG format and my original CR2s downloaded from card become the safety copy. Smile


PostPosted: Wed Sep 23, 2009 4:51 am    Post subject: Reply with quote

Orio

They should pay you for the Distagon advertising. If I could only.... but you really are a master with that lens camera combo


patrickh

PS Does Chris have a monopod or a walking stick? Smile Smile Smile


PostPosted: Wed Sep 23, 2009 5:08 am    Post subject: Reply with quote

I like all of these.

It´s like being there oneself, a feeling that is hard to give others.


PostPosted: Wed Sep 23, 2009 5:13 am    Post subject: Reply with quote

Orio,

Consider this a legal and binding document. Since the USA does not have any comparable scenery, you are hereby restrained from enjoying any further photography of same until equality is obtained worldwide. You must immediately surrender all of your photographic hardware to the local police.

Greg

Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil


PostPosted: Wed Sep 23, 2009 6:42 am    Post subject: Reply with quote

Well spoken, Greg. Wink

Excellent shots, Orio. The more I see of your area, the more I feel the urge to visit you.


PostPosted: Wed Sep 23, 2009 8:12 am    Post subject: Reply with quote

OMG! Greg is a Communist American! I thought they had all been abolished by Constitutional Amendment. All I usually hear from over the pond is that the "have nots" have no right to anything, anyway, and it's their own fault if someone has something nicer than them.

Now they want to nationalise our European landscape. Well, let me tell you, Bud, we built that landscape through good, honest hard work, so if you haven't got one like it, you've only got yourselves to blame.

Next you'll be wanting to transplant London Bridge to Arizona!

Seriously, though, it's a gorgeous village and the photos are wonderful.

.....

The more I look at the picture of the girl photographer the funnier it gets. A tripod is used for a broad-daylight snap, the subjects are placed in the middle distance, so a large part of the steps, portico shadow and back wall should make it into the frame, while the magnificent architecture of the facade is carefully excluded...

Orio, this girl was in need of help... Berlusconi would never have passed her by as she bent over her camera without extending the hand of friendship to her, shouldn't you have done the same?


PostPosted: Wed Sep 23, 2009 8:41 am    Post subject: Reply with quote

patrickh wrote:

PS Does Chris have a monopod or a walking stick? Smile Smile Smile


Both! Ain't that clever? Smile

lahnet wrote:
I like all of these.
It´s like being there oneself, a feeling that is hard to give others.


Thanks Lahnet

greg wrote:
Orio,
Consider this a legal and binding document. Since the USA does not have any comparable scenery, you are hereby restrained from enjoying any further photography of same until equality is obtained worldwide. You must immediately surrender all of your photographic hardware to the local police.
Greg
Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil Twisted Evil


May I give one phone call to my lens dealer? Laughing

PaulC wrote:

The more I look at the picture of the girl photographer the funnier it gets. A tripod is used for a broad-daylight snap, the subjects are placed in the middle distance, so a large part of the steps, portico shadow and back wall should make it into the frame, while the magnificent architecture of the facade is carefully excluded...


Yes, it was absolutely hilarious. For all the things that you point out and because of the time it took. It reminded me of those comic movies of the early XX century, you know those of Buster Keaton, Chaplin,
Laurel and Hardy... when you saw the photographers going around with the huge tripod and camera and the black fabric, and worked half an hour to set everything up, until finally a car arrived and crashed the tripod or something like that. Very Happy

PaulC wrote:
Orio, this girl was in need of help... Berlusconi would never have passed her by as she bent over her camera without extending the hand of friendship to her, shouldn't you have done the same?


Laughing Oh but that man in light blue shirt already made several walks to and from the camera to instruct the novice!
By the way in the end she set up the timer and ran into pose herself. Needless to say, she had to do it twice before they could call it a photograph. Laughing


PostPosted: Wed Sep 23, 2009 7:47 pm    Post subject: Reply with quote

Very nice series wich reminds me a lot on my vacations in Italy.

Cheers
Tobias


PostPosted: Wed Sep 23, 2009 8:28 pm    Post subject: Reply with quote

I just have realized the incredible 3D-effect, esp. in #1 and #6. Wow!


PostPosted: Wed Sep 23, 2009 11:19 pm    Post subject: Reply with quote

Orio! Yes!!!

I don't know what to say -- these motifs and atmosphere are superb!! a lot of history...

I have to say this:

I know that lens Wink but looking at the pictures taken by someone else...

oh my god!! Is this a dream or reality? The answer is -- BOTH !

this lens is a mixture reality and dreaming.. and the 3D effect is incredible!!!

D21 on 21 mpx sensor -- do we need more focal lengths ?? Very Happy Very Happy

tf