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j.lukow
Joined: 03 Oct 2007 Posts: 856 Location: Lindsay Ontario, Canada
Expire: 2021-11-25
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Posted: Sun Sep 05, 2010 8:36 pm Post subject: Diagnosing a light leak . . . |
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j.lukow wrote:
During the hustle and bustle we call life, I find myself having time to pop in with a technical question - (I hope I haven't offended anyone with my absenteeism from our community . . .if so I'm sorry.)
Lately with my Minolta X570 I am getting a bar of "light" on one side of my photos. Here's the oddness of it . . .
1 - the size of the bar and the colour are not consistant, white yellow,pink, often red and sometimes just a faded band.
2- Not all photos from the roll have it, there also seems to be a consistancy of which photos have it.
So my question are these the symptom of light seals or maybe a bad batch of film - Blacks Camera's store brand. Or could it be something during processing?
My own idea for testing this may take a while - I shoot 2 rolls of Fuji / Kodak film, I take one roll to where I went before (before film disappeared from store . . .) and the other to Blacks.
If film 1 is clear I've elimated the camera from the equation and of course the film and processing.
If film 2 is clear than I got a bad batch of film, if its got stripes there's a problem with processing.
If both films show bars - then I have to replace my light seals.
I'll appreciate any input from our experienced community members.
Thanks,
Jim _________________ EMPLOYMENT: That which funded photography and my new woodworking business.j.lukow
Jim's Kit:
Minolta Kit: Minolta X570 & Autowinder G, Minolta SRT200
LENSES:Minolta - 45mm & 50mm F1:2, PF 58mm F1:1.4, Tamron 28mm f1:2.5, Tamron SP 35-80mm f1:2.8/3.8 & CF TeleMacro zoom 80-210 f1:3.8, Vivitar f3.0~4.5 35-200mm macro focusing zoom, f 2.8 28mm CF Wide angle, 2x macro focus teleconverter,Sigma F4 25-250, f 2.8~4 35-70mm zoom master,Tokina SD f4-5.6 70-210 zoom, f4.5 80-200 "Ultra" Zoom,AutoImage 135mm F1:2.8, Spiratone 400mm f1:6.3, Magicon f3.5-4.8 35-70mm macro zoom,Quantary f8-500 Mirror/macro lens, Accura MD mount Macro bellows
M42 Kit:Praktica PLC2,Yashica TL Electro X
LENSES:Meyer Goerlitz Oreston 50mm f1:1.8 , Auto Yashinon DX 1:1.7 50mm,Steinheil Munchen Culminar 135mm f4.5, Adaptall-2 M42 adapter
Zeiss . . . Zeiss Contaflex 126 system, Zeiss Contaflex Super
Medium Format: Pentacon sixTL
Hasselblad 500c/m - CZ 2.8-80mm planar, CZ 4-150mm sonnarCF |
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Scheimpflug
Joined: 06 Feb 2010 Posts: 1888 Location: New Zealand / USA
Expire: 2011-11-18
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Posted: Mon Sep 06, 2010 7:12 am Post subject: |
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Scheimpflug wrote:
So the three variables are Film, Camera, and Processing...
If the bars are distributed well along the whole roll of film, then if you're clever about it, you could test all three cases with reasonable certainty with just one roll of film.
Here's how:
* Take a roll of different film (ie: the Fuji or Kodak, but NOT the store-brand film)
* Expose half of the roll in your X570, but stop there and rewind the film back into the canister.
* Have the film developed at the same place that developed your last roll that had the trouble.
What this tells us:
* If the exposed half has the stripes but not the unexposed half, then the X570 definitely has a light leak.
* If the whole roll has the stripes, then the lab is at fault
* If no stripes can be found, then either your store-brand film was bad OR there was a fluke problem at the lab.
_________________ Sigma DP1, Nikon D40 (hers ), Polaroid x530, Pentax P30t, Pentax P50, (P30t/P50 K-A to Nikon F body mount conversion)
Nikon: 18-55/3.5-5.6 "G ED II DX" (F) Soligor: 28/2.8 (FL->F converted), 135/3.5 (F), 3x TC (F, modified) Kalimar: 28-85/3.5 (F)
Vivitar: 70-210/2.8-4.0 Version 3 (F), Tele 500/6.3 Preset (F), 19/3.8 (F) Minolta: 300/5.6 (SR/MC/MD pending F conversion)
Tamron: 28/2.8 (Adaptall) Panagor: 28/2.5 (FD) Aetna: 300/5.6 (F) Osawa: MC 28/2.8 (F)
Vintage Lenses: Dallmeyer: 1940s A.M. 14in 356mm f4 (ULF->M42) 1930s Adon Telephoto Taylor, Taylor & Hobson: 1880s Rapid Rectilinear 8 1/2 x 6 1/2 11.31in f/8 (LF->?)
Parts Lenses: Nikon 35-135/3.5-4.5 (F), Sigma 70-210/4.5 (F), Nikon 50/1.8 Series E (F) |
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walter g
Joined: 20 Feb 2010 Posts: 2463 Location: NC, USA
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Posted: Mon Sep 06, 2010 7:43 am Post subject: |
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walter g wrote:
Check to see if the hinge seal is still intact. The channel seals won't cause this. I don't think the film window seal will either, but make sure it's intact also. _________________
Main cameras
Panasonic G5,Nikon J1,Pentax Q10,Sony Nex 6
Minolta MC W SI 2.5/28, MD 2.8/28, MC W SG 3.5/28, MC Celtic 3.5/28, MC W HG 2.8/35, MD Celtic 2.8/35, QE 4/35, Rokkor X 2/45, MC Rokkor X PG 1.4/50, MC Rokkor X PG 1.7/50, MD Rokkor X 1.7/50, MD 2/50, MC Rokkor PF 1.7/55, MC Rokkor PF 1.9/55, Auto Tele Rokkor PG 2.8/135, MC Tele Rokkor QD 3.5/135, TC 4/135, MC Celtic 4/200, MC Tele Rokkor PE 4.5/200
MD 28-70 f3.5-4.8, MD Macro 35-70 f3.5, Md 70-210 f4, MD Rokkor X 75-200 f4.5, MD 100-200 f5.6
Nikon Nikkor 4/20, O Auto 2/35, S Auto 1.4/50..... Miranda Auto 2.8/28, Auto 2.8/35, Auto 1.4/50, Auto EC 1.4/50, Auto 1.8/50, Auto EC 1.8/50,Auto 1.9/50, Auto 3.5/135
Various Soligor,Sun,Fujita,Komura,Spitatone, etc. Lenses
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j.lukow
Joined: 03 Oct 2007 Posts: 856 Location: Lindsay Ontario, Canada
Expire: 2021-11-25
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Posted: Mon Sep 06, 2010 7:04 pm Post subject: |
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j.lukow wrote:
@Scheimpflug - This sounds like a good method - I'll probably try this when the current roll is finished.
walter g wrote: |
Check to see if the hinge seal is still intact. The channel seals won't cause this. I don't think the film window seal will either, but make sure it's intact also. |
I assume this is simply a visual inspection - unless there are some guides available to illustrate the location of seals.
Does the irregularity of the light bars suggest that whether the camera is hand held or tripod mounted would influence how well the seal functioned - holding it shut or not?
Thanks for the input so far. . .
Jim _________________ EMPLOYMENT: That which funded photography and my new woodworking business.j.lukow
Jim's Kit:
Minolta Kit: Minolta X570 & Autowinder G, Minolta SRT200
LENSES:Minolta - 45mm & 50mm F1:2, PF 58mm F1:1.4, Tamron 28mm f1:2.5, Tamron SP 35-80mm f1:2.8/3.8 & CF TeleMacro zoom 80-210 f1:3.8, Vivitar f3.0~4.5 35-200mm macro focusing zoom, f 2.8 28mm CF Wide angle, 2x macro focus teleconverter,Sigma F4 25-250, f 2.8~4 35-70mm zoom master,Tokina SD f4-5.6 70-210 zoom, f4.5 80-200 "Ultra" Zoom,AutoImage 135mm F1:2.8, Spiratone 400mm f1:6.3, Magicon f3.5-4.8 35-70mm macro zoom,Quantary f8-500 Mirror/macro lens, Accura MD mount Macro bellows
M42 Kit:Praktica PLC2,Yashica TL Electro X
LENSES:Meyer Goerlitz Oreston 50mm f1:1.8 , Auto Yashinon DX 1:1.7 50mm,Steinheil Munchen Culminar 135mm f4.5, Adaptall-2 M42 adapter
Zeiss . . . Zeiss Contaflex 126 system, Zeiss Contaflex Super
Medium Format: Pentacon sixTL
Hasselblad 500c/m - CZ 2.8-80mm planar, CZ 4-150mm sonnarCF |
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walter g
Joined: 20 Feb 2010 Posts: 2463 Location: NC, USA
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Posted: Mon Sep 06, 2010 8:01 pm Post subject: |
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walter g wrote:
A couple of quick pics. The first shot is the film window seal. The second shot is the hinge seal. As you can tell by the pic my channel seals are almost
completely gone.
So that's why I said it can't be them.
The pics are from my X30-N.
The door on an x series fits so tight it dosen't matter if it's handheld or tripod mounted.
_________________
Main cameras
Panasonic G5,Nikon J1,Pentax Q10,Sony Nex 6
Minolta MC W SI 2.5/28, MD 2.8/28, MC W SG 3.5/28, MC Celtic 3.5/28, MC W HG 2.8/35, MD Celtic 2.8/35, QE 4/35, Rokkor X 2/45, MC Rokkor X PG 1.4/50, MC Rokkor X PG 1.7/50, MD Rokkor X 1.7/50, MD 2/50, MC Rokkor PF 1.7/55, MC Rokkor PF 1.9/55, Auto Tele Rokkor PG 2.8/135, MC Tele Rokkor QD 3.5/135, TC 4/135, MC Celtic 4/200, MC Tele Rokkor PE 4.5/200
MD 28-70 f3.5-4.8, MD Macro 35-70 f3.5, Md 70-210 f4, MD Rokkor X 75-200 f4.5, MD 100-200 f5.6
Nikon Nikkor 4/20, O Auto 2/35, S Auto 1.4/50..... Miranda Auto 2.8/28, Auto 2.8/35, Auto 1.4/50, Auto EC 1.4/50, Auto 1.8/50, Auto EC 1.8/50,Auto 1.9/50, Auto 3.5/135
Various Soligor,Sun,Fujita,Komura,Spitatone, etc. Lenses
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j.lukow
Joined: 03 Oct 2007 Posts: 856 Location: Lindsay Ontario, Canada
Expire: 2021-11-25
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Posted: Tue Sep 07, 2010 2:40 am Post subject: |
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j.lukow wrote:
Thanks for the hopefully "idiot proof" explanation . . .
(Hopefully it prevents me from being an idiot . . . )
Thanks,
Jim _________________ EMPLOYMENT: That which funded photography and my new woodworking business.j.lukow
Jim's Kit:
Minolta Kit: Minolta X570 & Autowinder G, Minolta SRT200
LENSES:Minolta - 45mm & 50mm F1:2, PF 58mm F1:1.4, Tamron 28mm f1:2.5, Tamron SP 35-80mm f1:2.8/3.8 & CF TeleMacro zoom 80-210 f1:3.8, Vivitar f3.0~4.5 35-200mm macro focusing zoom, f 2.8 28mm CF Wide angle, 2x macro focus teleconverter,Sigma F4 25-250, f 2.8~4 35-70mm zoom master,Tokina SD f4-5.6 70-210 zoom, f4.5 80-200 "Ultra" Zoom,AutoImage 135mm F1:2.8, Spiratone 400mm f1:6.3, Magicon f3.5-4.8 35-70mm macro zoom,Quantary f8-500 Mirror/macro lens, Accura MD mount Macro bellows
M42 Kit:Praktica PLC2,Yashica TL Electro X
LENSES:Meyer Goerlitz Oreston 50mm f1:1.8 , Auto Yashinon DX 1:1.7 50mm,Steinheil Munchen Culminar 135mm f4.5, Adaptall-2 M42 adapter
Zeiss . . . Zeiss Contaflex 126 system, Zeiss Contaflex Super
Medium Format: Pentacon sixTL
Hasselblad 500c/m - CZ 2.8-80mm planar, CZ 4-150mm sonnarCF |
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peterqd
Joined: 28 Feb 2007 Posts: 7448 Location: near High Wycombe, UK
Expire: 2014-01-04
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Posted: Tue Sep 07, 2010 9:13 am Post subject: |
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peterqd wrote:
Hi Jim, nice to hear from you again. Here you will find Jon Goodman's notes on the light seals in X-series Minoltas.
http://www.kyphoto.com/classics/seal/Minolta_X_types.pdf
It's a good idea to inspect the door seals but I have a sneaking idea this may not be the problem. When you say there is a light band at one side of some of the pictures it sounds to me possibly like a shutter curtain issue as the X-500/570 has horizontal silk shutter curtains, not vertical metal blades like many other Minoltas. If the light band is on the right side of your picture it could mean that the second curtain speed is sticking or a little slow sometimes, which gives increasing over-exposure as it travels across. This is often an intermittent fault, which would explain the inconsistency.
PS - if you do replace the seals, my advice is don't bother with the mirror buffer. It's a very fiddly job on this camera and the chances of messing up the focus screen are very high. _________________ Peter - Moderator |
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j.lukow
Joined: 03 Oct 2007 Posts: 856 Location: Lindsay Ontario, Canada
Expire: 2021-11-25
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Posted: Sun Oct 03, 2010 7:11 pm Post subject: |
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j.lukow wrote:
nice to here from you peter
OK here goes . . .
I took the 1/2 exposed roll of film in for developing . . .
Its the camera, so . . .
First on the hinge side of my film door there is no foam just a heavy stripe of a tacky material (possibly the adhesive?) . . .
Now I did a some quick scans of some symptomatic pics (sorry but they're from the pics)
This red stripe is the most typical . . .
This white stripe also occurs . . .
Now as I said I though maybe the inconsistabcy of their aoccurance was a function of whether I was holding the camera (and therefore holding the back in tighter) or it was on the tripod.
If indeed we think it is a seal gone - where is a good source . . .
Thanks,
Jim _________________ EMPLOYMENT: That which funded photography and my new woodworking business.j.lukow
Jim's Kit:
Minolta Kit: Minolta X570 & Autowinder G, Minolta SRT200
LENSES:Minolta - 45mm & 50mm F1:2, PF 58mm F1:1.4, Tamron 28mm f1:2.5, Tamron SP 35-80mm f1:2.8/3.8 & CF TeleMacro zoom 80-210 f1:3.8, Vivitar f3.0~4.5 35-200mm macro focusing zoom, f 2.8 28mm CF Wide angle, 2x macro focus teleconverter,Sigma F4 25-250, f 2.8~4 35-70mm zoom master,Tokina SD f4-5.6 70-210 zoom, f4.5 80-200 "Ultra" Zoom,AutoImage 135mm F1:2.8, Spiratone 400mm f1:6.3, Magicon f3.5-4.8 35-70mm macro zoom,Quantary f8-500 Mirror/macro lens, Accura MD mount Macro bellows
M42 Kit:Praktica PLC2,Yashica TL Electro X
LENSES:Meyer Goerlitz Oreston 50mm f1:1.8 , Auto Yashinon DX 1:1.7 50mm,Steinheil Munchen Culminar 135mm f4.5, Adaptall-2 M42 adapter
Zeiss . . . Zeiss Contaflex 126 system, Zeiss Contaflex Super
Medium Format: Pentacon sixTL
Hasselblad 500c/m - CZ 2.8-80mm planar, CZ 4-150mm sonnarCF |
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OM
Joined: 15 Jan 2010 Posts: 166 Location: Southern England
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Posted: Tue Oct 05, 2010 10:24 pm Post subject: |
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OM wrote:
j.lukow wrote: |
If indeed we think it is a seal gone - where is a good source . . .
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Try here:
http://cgi.ebay.co.uk/Pre-Cut-Interslice-Seal-Kit-Minolta-X-series-X-700-etc-/120623388325?pt=Film_Cameras&hash=item1c15b6d6a5
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Jon Goodman
Joined: 24 Nov 2010 Posts: 13
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Posted: Fri Nov 26, 2010 4:39 pm Post subject: |
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Jon Goodman wrote:
Light leak damage on film which has been developed can be diagnosed by remembering that:
a) colored damage (red, orange, yellowish damage) which appears on the developed picture means light struck the back side of the film. C-41 process color film, I mean.
b) whitish or grayish damage which appears on the developed picture came from light striking the front side of the film (essentially the film was overexposed). Please do not ignore bad or slow aperture action on this kind of damage. Also...please do not overlook lens flare.
I always look first to the hinge end seal. That is where maybe 75-80% of light leaks will occur. The latch end seal and the slot seals are mostly dust seals, however please do not think no light leaks will occur in these areas. In some cameras, the long thin slots allow persistent leaks unless they are sealed.
If you have a camera which has a film canister window seal...please do not think that seal can't leak. In many cameras (Fujica AX series, Leica R4, R5, R6, some Nikons, Canons, Minoltas, etc), the film canister seals are the worst light leak provider in the camera. Please remember it takes only a tiny bit of light to ruin film.
Mirror dampers will not generally produce light leak damage, but bad dampers can create an overexposed, washed-out appearance in shots on tripod and self-timer.
Zenit E (and similar Zenit types) have a very serious light leak problem. The meter window on the top plate allows light to stream into the mirror chamber. Correct this, and the Zenit becomes a much nicer camera to use. If you want a 3 part image showing this, please let me know.
Hope this is helpful.
Jon |
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peterqd
Joined: 28 Feb 2007 Posts: 7448 Location: near High Wycombe, UK
Expire: 2014-01-04
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Posted: Sun Dec 05, 2010 8:39 pm Post subject: |
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peterqd wrote:
I've had this message to Jim stuck in my outbox for some weeks, so I'm posting it here. Evidently he hasn't visited us for some time. Hope you're OK Jim.
Incidentally, Jim was referring to his X-570 which does not have a film window.
Message wrote: |
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Hi Jim, it certainly looks like a light leak rather than a shutter fault. One way to confirm for certain is if the band is present right across the sprocket holes on the negative then the light must be coming from behind the film and it cannot be the shutter.
The different colours might be explained by the different length of time that particular place on the film is static where the leak is. If you take one shot immediately after another and then wind on, the film is static for a shorter period than for the first shot. You might get rid of the leak altogether if the camera is in a case.
Here's a pic of the hinge seal on the door of my X-500 which should be the same as your X-570. The foam on mine needs replacing too. This is a new camera for me and it's being tested right at this moment, but I will definitely be replacing the seals soon.
I would suggest you contact Jon Goodman. He makes up kits for particular cameras these days. Look here:
http://www.kyphoto.com/classics/sealreplacement.html
and look at the Minolta X-Series notes. (BTW the mirror seal on my camera is felt, not foam, and it doesn't need replacing). Jon's ID on Ebay is "interslice" if you want to look there.
I'm in a rush to get ready, we're going to Paris for 5 days tomorrow so I'll catch up with you when I get back.
All the best
Peter |
_________________ Peter - Moderator |
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agent_cooper
Joined: 06 Oct 2010 Posts: 139 Location: Germany
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Posted: Mon Dec 06, 2010 11:45 am Post subject: |
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agent_cooper wrote:
to be honest, I like the pictures with the stripe. I try to imagine, how he woud be without. _________________
MF: Samyang 3.5/8mm Fisheye, Komine Vivitar 1.9/35mm, Komine Vivitar 2.8/90mm 1:1 macro
CCCP: Helios 44-4, Helios 40-2.
ZUIKO: 2.8/35mm, 1.8/50mm
ZEISS C/Y: 2.8/25 MM, 1.4/50 MM, 1.4/85 MM, 2.8/135 MM.
TILT&SHIFT:Canon 3.5/24mm TS, Arax 2.8/80mm TS.
AF: Canon 1.8/85mm, Tokina zoom 2.8/11-16mm, Tokina zoom 2.8/28-70mm Canon zoom 70-300mm.
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j.lukow
Joined: 03 Oct 2007 Posts: 856 Location: Lindsay Ontario, Canada
Expire: 2021-11-25
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Posted: Wed Mar 09, 2011 4:47 am Post subject: |
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j.lukow wrote:
peterqd wrote: |
I've had this message to Jim stuck in my outbox for some weeks, so I'm posting it here. Evidently he hasn't visited us for some time. Hope you're OK Jim.
Incidentally, Jim was referring to his X-570 which does not have a film window.
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by now you got my appology etc . . .
I hope I have found a solution in an alternate method.
On studying the gaskets and other pictures, I came across some very thin self adhesive foam strips - nice and dense. These were an excellent fit so that my X-570 closes without an issue. Currently I'm running a roll through, with luck Mr stripe will be gone, as even though he is a cheerful shade of red - he has the habit ruining pictures .
Jim _________________ EMPLOYMENT: That which funded photography and my new woodworking business.j.lukow
Jim's Kit:
Minolta Kit: Minolta X570 & Autowinder G, Minolta SRT200
LENSES:Minolta - 45mm & 50mm F1:2, PF 58mm F1:1.4, Tamron 28mm f1:2.5, Tamron SP 35-80mm f1:2.8/3.8 & CF TeleMacro zoom 80-210 f1:3.8, Vivitar f3.0~4.5 35-200mm macro focusing zoom, f 2.8 28mm CF Wide angle, 2x macro focus teleconverter,Sigma F4 25-250, f 2.8~4 35-70mm zoom master,Tokina SD f4-5.6 70-210 zoom, f4.5 80-200 "Ultra" Zoom,AutoImage 135mm F1:2.8, Spiratone 400mm f1:6.3, Magicon f3.5-4.8 35-70mm macro zoom,Quantary f8-500 Mirror/macro lens, Accura MD mount Macro bellows
M42 Kit:Praktica PLC2,Yashica TL Electro X
LENSES:Meyer Goerlitz Oreston 50mm f1:1.8 , Auto Yashinon DX 1:1.7 50mm,Steinheil Munchen Culminar 135mm f4.5, Adaptall-2 M42 adapter
Zeiss . . . Zeiss Contaflex 126 system, Zeiss Contaflex Super
Medium Format: Pentacon sixTL
Hasselblad 500c/m - CZ 2.8-80mm planar, CZ 4-150mm sonnarCF |
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