Custom Nikon D50 slide copier

[Arlon]

I had a bunch of slides to copy, I didn't want to buy a dedicated slide copier so I used a D50 and 55mm micro lens. Using custom white balance and exposure control on the camera made for some very good copies even on some faded ektachrome.


Lot of examples I copied here: http://www.pbase.com/arlon/old_slide_copies&page=all




Sample (me in 1957):

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D200, D90, D70 (IR converted), D50, F2
Big box of MF lenses from 18mm to 600mm and a lot in between..

Favorites are the micro nikkors (55mm, 105mm and 200mm).

[F16SUNSHINE]

Nice job. My mother used to dress me the same. Btw do you still have that Twinkie :lol
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Current Kit
Canon 5D, 40D
Contax 4/18, 1.4/50, 1.4/85, 2.8/85, 2/100, 3.5/100, 2.8/180, Rollei HFT 1.4/35, 1.4/85, Zuiko 2/21, 2/24, 2/28, 2/35, 2/80, Yashica ML 3.5/21, 2.8/24, Helios 40 protype, Trioplan 2.8/100, Tair 11A,
Epson R D1(s), Bessa L, Bessa R2m, Leica CL, CV 4.5/15, 4/25, 1.4/40, Zeiss ZM 2/35, Yashinon1.8/50, CLE 4/90, Zeiss Opton 4/135 T, Electro GT, Electro GX, Electro CC

[Richard_D]

Nice work. I'm guessing new contrasty films (e.g. velvia) are going to be difficult with this approach. Nikon did a cheapish accessory to screw onto the 55mm nikkors for copying, but I suspect the 1.5 crop factor would now come into play so your solution is probably a better option.
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Richard

The interesting bit:

Nikkors: 20mm f2.8 AIS, 24mm f2.8 AIS, 28mm f2.8 AIS, 35mm f2 AIS, 50mm f1.4 AI, 50mm f1.48AI, 50m f2 AI,
55mm f3.5 AI'd, 105mm f4 AI, 135mm f2.8 AI'd, 135mm f3.5 AI'd, 200mm f4 AI'd .
Nikon E Series: 100mm f2.8 .
Soviet Nikon Mount: Zenitar 16mm f2.8, Arsat/arax/photex 85mm T&S f2.8 .
Other: Asahi Super Takumar 55 mm f2 (M42) ,Tamron 300mm f5.6 SP, Tamron 500mm f8 SP.

DSLR: Nikon D700. 35mm SLRsNikon FE, Pentax S1a.
TLR: Rolliecord II.
Sub-Minature: Pentax Auto 110, 18mm f2.8, 24mm f2.8, 50mm f2.8.

More to come...

[Attila]

I saw many great results, thank you for sharing this excellent idea. I really like your DAD portrait in Korea.
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Olympus E-1,Bessa L,Bessa RF,Olympus OM2n,Nikon FA,Yashica Eletro 35 GN,
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Carl Zeiss Jena:Flektogon 2.8/20mm,4/25mm,2.4/35,2.8/65mm,4.5/4cm Tessar, 8/500mm Fernobjektiv
Pancolar 1.4/55mm,1.8/50mm,1.8/80mm,Tessar 2.8/50mm,Biotar 2/58mm,1.5/75mm,1.5/7,5cm
Carl Zeiss: Sonnar 2.8/135,2.8/180mm,Tessar 4/135mm
Nikon: 3.5/20mm,2.8/28mm,1.4/35mm,1.4/50mm,1.2/50mm,2/50mm,1.8/105mm,2.5/105mm,4/200mm macro,4.5/300mm
Pentax: Pentax 1.2/50mm,1.8/85mm,4/200mm
Helios: Helios-40 1.5/8,5cm,Helios-44-1 2/58mm,Helios-44-2 2/58mm
Olympus OM: 3.5/18mm,3.5/21mm,1.4/50mm,3.5/55mm macro,2.8/135mm,2/90mm macro,35-70mm,60-250mm
Meyer: 4.5/35mm Primagon,Primoplan 1.9/58mm,1.9/75mm,2.8/100mm,Orestegor 2.8/135mm,4.5/40 Helioplan
Leica: 4/100 Macro Elmar,2.8/90 Elmarit last version
Please visit my Ebay shop to support my reviews !

[Rob Leslie]

This is the way we had to do it back in the 1970/80’s when copying transparencies.
It was common to have a permanent set up for doing it. This eliminated light problems etc and gave consistent results.
All printing (Publishing etc) also used the camera coping method (Process cameras) this was dropped by industry in the 1980’s

It makes you wonder why we have scanners when the old tried and tested method has been about for so many years!
Could you post a 100% crop from your results?
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Pentax K10D & K100D. Many Tamron Adaptall SP lenses, Fujinon f4.5 400mm. A loved Lens Baby 2, Lubitel triplet +++ and many many film cameras. Mainly a Digital user.
http://roblesliephotography.blogspot.com

[Arlon]

It does make things pretty simple. I'll put up a few 100% shots in the pbase gallery this evening (Houston Texas time).
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D200, D90, D70 (IR converted), D50, F2
Big box of MF lenses from 18mm to 600mm and a lot in between..

Favorites are the micro nikkors (55mm, 105mm and 200mm).