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ludoo
Joined: 18 Sep 2009 Posts: 1397 Location: Milan, Italy
Expire: 2011-12-05
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Posted: Sun May 15, 2011 3:25 pm Post subject: |
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ludoo wrote:
The one I personally prefer is Carsten's. But I wonder why nobody thought of straightening the white building: since it's the focus of the picture, I think it really should be straight. _________________ My galleries
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun May 15, 2011 5:07 pm Post subject: |
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Orio wrote:
ludoo wrote: |
But I wonder why nobody thought of straightening the white building |
I did... _________________ Orio, Administrator
T*
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torbod
Joined: 31 Jan 2010 Posts: 379 Location: Sweden
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Posted: Sun May 15, 2011 6:17 pm Post subject: |
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torbod wrote:
LucisPictor wrote: |
The only crop I liked is an unconventional one. |
I like your crop. The only thing distracting is the light post to the right, but the crop gives a nice perspective.
/T _________________
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Camera: Sony Nex 5N |
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kuuan
Joined: 14 Jan 2008 Posts: 4572 Location: right now: Austria
Expire: 2014-12-26
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Posted: Sun May 15, 2011 6:42 pm Post subject: |
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kuuan wrote:
amazing how you guys can make things disappear!
I hardly could but also found signs to the far left and right disturbing. took another route reducing contents / clustering of colors, made it square concentrating on the coop and forum letterings + having all the silver poles asf as prominent feature
_________________ my photos on flickr: https://www.flickr.com/photos/kuuan/collections |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun May 15, 2011 11:48 pm Post subject: |
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Orio wrote:
torbod wrote: |
Orio: Why not. Interesting idea. This is the purpose of the tread, to find different images within the image
I would probably have cropped less tight on the left side for a less compressed look. on the building and rotating sign. |
My idea was to work on the pattern of 3 :
to give the image a "rhythm" that would depure it from the confusion of the many chaotic elements.
For that I needed a tight crop, because the larger I would go, the more confusing elements I would add, and the weaker the geometric composition would be
(also I needed the two big poles to be roughly at the thirds in the composition).
If I could edit out parts (which was not allowed) I would have erased the small elements on top left, to leave there only sky _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Sun May 15, 2011 11:55 pm Post subject: |
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Orio wrote:
Orio wrote: |
If I could edit out parts (which was not allowed) I would have erased the small elements on top left, to leave there only sky |
quick fast example of what could be with a little erasing:
_________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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cooltouch
Joined: 15 Jan 2009 Posts: 9097 Location: Houston, Texas
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Posted: Mon May 16, 2011 6:03 am Post subject: |
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cooltouch wrote:
So you wanna get rid of all the clutter, eh? Well, here's your answer:
_________________ Michael
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My Blog: http://michaelmcbroom.com/blogistan/ |
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torbod
Joined: 31 Jan 2010 Posts: 379 Location: Sweden
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Posted: Mon May 16, 2011 10:46 am Post subject: |
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torbod wrote:
Orio wrote: |
Orio wrote: |
If I could edit out parts (which was not allowed) I would have erased the small elements on top left, to leave there only sky |
quick fast example of what could be with a little erasing:
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Very nice. With your phenomenal explanation in the earlier post I now understand your though and it is this kind of thinking I'd like to learn more of. Hopefully I can start improving the composition and plan the shots better before taking them
Thank you all again for all contributions.
BR
/T _________________
For Sale or Trade: Pick from the list below.
Manual Lenses: CV 15 4.5 | MIR-20H 20 3.5 | Elmarit-R 28 2.8 | Flektogon MC 35 2.4 | S-M-C Tak 50 1.4 | Rollei 50 1.8 HFT | Helios 44-3 MC 58 2 | MC ROKKOR-X 58 1.2 | MacroPlanar 60 2.8 | Vega-12b 90 2.8 | Tamron 52B 90 2.5 | CZJ 135 3.5 | Jupiter-21A 200 4 | Tair-3s 300 4.5 | KOHBEPTEP K-1 | Takumar x2 |
Camera: Sony Nex 5N |
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Orio
Joined: 24 Feb 2007 Posts: 29545 Location: West Emilia
Expire: 2012-12-04
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Posted: Mon May 16, 2011 12:30 pm Post subject: |
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Orio wrote:
torbod wrote: |
Very nice. With your phenomenal explanation in the earlier post I now understand your though and it is this kind of thinking I'd like to learn more of. Hopefully I can start improving the composition and plan the shots better before taking them
Thank you all again for all contributions.
BR
/T |
There is an Italian photographer who is famous for this type of geometrical compositions, Franco Fontana:
In the long run, I find this type of images sterile (I can stand a few of them, not a whole book). However, with some contemporary urban landscapes, it can be the only way to give the photos some aesthetical interest, as today's architecture per se can feel really cold. _________________ Orio, Administrator
T*
NE CEDE MALIS AUDENTIOR ITO
Ferrania film is reborn! http://www.filmferrania.it/
Support the Ornano film chemicals company and help them survive!
http://forum.mflenses.com/ornano-chemical-products-t55525.html |
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torbod
Joined: 31 Jan 2010 Posts: 379 Location: Sweden
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Posted: Mon May 16, 2011 8:26 pm Post subject: |
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torbod wrote:
Thank you Orio. Must check up on that guy. _________________
For Sale or Trade: Pick from the list below.
Manual Lenses: CV 15 4.5 | MIR-20H 20 3.5 | Elmarit-R 28 2.8 | Flektogon MC 35 2.4 | S-M-C Tak 50 1.4 | Rollei 50 1.8 HFT | Helios 44-3 MC 58 2 | MC ROKKOR-X 58 1.2 | MacroPlanar 60 2.8 | Vega-12b 90 2.8 | Tamron 52B 90 2.5 | CZJ 135 3.5 | Jupiter-21A 200 4 | Tair-3s 300 4.5 | KOHBEPTEP K-1 | Takumar x2 |
Camera: Sony Nex 5N |
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