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kds315*
Joined: 12 Mar 2008 Posts: 16544 Location: Weinheim, Germany
Expire: 2021-03-09
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Posted: Wed Apr 06, 2011 6:49 am Post subject: A Tour of Ansal Adams Darkroom |
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kds315* wrote:
http://www.youtube.com/watch?v=qZlovMptjyQ
Found that quite interesting. _________________ Klaus - Admin
"S'il vient a point, me souviendra" [Thomas Bohier (1460-1523)]
http://www.macrolenses.de for macro and special lens info
http://www.pbase.com/kds315/uv_photos for UV Images and lens/filter info
https://www.flickr.com/photos/kds315/albums my albums using various lenses
http://photographyoftheinvisibleworld.blogspot.com/ my UV BLOG
http://www.travelmeetsfood.com/blog Food + Travel BLOG
https://galeriafotografia.com Architecture + Drone photography
Currently most FAV lens(es):
X80QF f3.2/80mm
Hypergon f11/26mm
ELCAN UV f5.6/52mm
Zeiss UV-Planar f4/60mm
Zeiss UV-Planar f2/62mm
Lomo Уфар-12 f2.5/41mm
Lomo Зуфар-2 f4.0/350mm
Lomo ZIKAR-1A f1.2/100mm
Nikon UV Nikkor f4.5/105mm
Zeiss UV-Sonnar f4.3/105mm
CERCO UV-VIS-NIR f1.8/45mm
CERCO UV-VIS-NIR f4.1/94mm
CERCO UV-VIS-NIR f2.8/100mm
Steinheil Quarzobjektiv f1.8/50mm
Pentax Quartz Takumar f3.5/85mm
Carl Zeiss Jena UV-Objektiv f4/60mm
NYE OPTICAL Lyman-Alpha II f1.1/90mm
NYE OPTICAL Lyman-Alpha I f2.8/200mm
COASTAL OPTICS f4/60mm UV-VIS-IR Apo
COASTAL OPTICS f4.5/105mm UV-Micro-Apo
Pentax Ultra-Achromatic Takumar f4.5/85mm
Pentax Ultra-Achromatic Takumar f5.6/300mm
Rodenstock UV-Rodagon f5.6/60mm + 105mm + 150mm
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std
Joined: 09 Feb 2010 Posts: 1827 Location: Bulgaria
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Posted: Wed Apr 06, 2011 7:21 am Post subject: |
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std wrote:
Thanks for sharing Klaus ,
Interesting find.
I've been reading about it in his books and it's nice to see it not only from the illustrations. _________________ Stefan
My lens list:
SLR MD: Rokkor 1,7/50 Exakta: Kilfitt-Makro-Kilar E 3.5/4cm; CZJ 2/50 Pancolar;M42: CZJ 2.8/50 Tessar; Mir-1B 2.8/37; Jupiter-9 2/85 T-mount: Tamron 5.9/200; Tamron 6.9/300; Tamron 7.5/400 C-mount: Cosmicar 1.8/50 Y/S: Sun 3.5/38-90, Sun 4/70-210 RF Contax RF: Jupiter-8 2/50; Contax G:CZ 2,8/21 Biogon T; CZ 2,8/28 Biogon T; CZ 2/35 Planar T; CZ 2/45 Planar T; CZ 2,8/90 Sonnar T |
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LucisPictor
Joined: 26 Feb 2007 Posts: 17633 Location: Oberhessen, Germany / Maidstone ('95-'96)
Expire: 2013-12-03
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Posted: Wed Apr 06, 2011 7:42 am Post subject: |
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LucisPictor wrote:
Thanks for the link! _________________ Personal forum activity on pause every now and again (due to job obligations)!
Carsten, former Moderator
Things ON SALE
Carsten = "KAPCTEH" = "Karusutenu" | T-shirt?.........................My photos from Emilia: http://www.schouler.net/emilia/emilia2011.html
My gear: http://retrocameracs.wordpress.com/ausrustung/
Old list: http://forum.mflenses.com/viewtopic.php?t=65 (Not up-to-date, sorry!) | http://www.lucispictor.de | http://www.alensaweek.wordpress.com |
http://www.retrocamera.de |
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shauttra
Joined: 17 Nov 2009 Posts: 778 Location: Latvia
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Posted: Mon Jun 13, 2011 7:05 am Post subject: |
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shauttra wrote:
Thanks!!!
Ansel is great!!! _________________ Mto-1000, Tair-3, Auto Exaktar 135mm 2,8, Samyang 14mm 2.8,
Jupiter 37A, Carl Zeiss Sonnar 135/3.5,
Helios-44, Mir-1, Revuenon 50/1.4,
Carl Zeiss Pancolar 50/1.8, Samyang 24/1.4, Auto Vivitar 35/2.8
www.radosi.lv
http://shauttra.blogspot.com |
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rbelyell
Joined: 13 Oct 2009 Posts: 4269 Location: somewhere in the mountains of central NY
Expire: 2014-01-31
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Posted: Mon Jun 13, 2011 2:36 pm Post subject: |
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rbelyell wrote:
i am of course a huge fan, and this is a great link, thanks! however, the extent of this setup does raise an interesting issue to me concerning photo manipulation.
i have never been a 'purist' when it comes to PPing digitally, though many are. one of the reasons i've never criticized digital PP is the knowledge that virtually all of our much admired film photographers engaged in extensive darkroom PPing of their own. my perspective is that photography is an art, and like artists using any other medium, inspiration begins with reality, but does not end there. where the artist ends up in his depiction of reality depends on his vision and on his discerning use of all the tools at his disposal.
with film, some of those tools reside in the darkroom; with digital some reside in photoshop or lightroom. if we do not criticize or think less of the genius of adams etc for their extensive darkroom image manipulation, why would we not extend the same theory to our digital counterparts? _________________ Epson RD1 + Elmarit 21/2.8; Summarit 50/1.5; Summarit 75/2.5; Elmar-c 90/4; Sankyo Komura 135/2.8, Hektor 135/4.5; Braun Paxina 29 6x6; Photax Boyer Paris; Holga 120 Pano
GREAT STUFF FOR SALE:
Contax T
Hasselblad XPan + 45/4, 90/4
Kodak Retina Reflex IV + full set of Schneider Krueznach lenses
Mercury 2 half frame 35mm
Kodak Pro slr/n
Fuji GM670+100/3.5+65/8!
Praktisix 6x6 medium format + ZeissBiometar 120/2.8
Bessa T 101 Anniversary Edition in Navy Blue
Mamiya Six Folder with Zuiko 75/3.5
Adaptall: Tamron SP 28-85 macro
Cameras: Canon IX
PM for more complete descriptions/pix. All in great shape!
_________________________
'buy me a drink, sing me a song,
take me as i come 'cause i can't stay long' |
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